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Item Details
Title: DISTINGUISHED IMAGES
PRINTS AND THE VISUAL ECONOMY IN NINETEENTH-CENTURY FRANCE
By: Stephen Bann
Format: Hardback

List price: £47.50
Our price: £42.75
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ISBN 10: 0300177275
ISBN 13: 9780300177275
Availability: Usually dispatched within 1-3 weeks.
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Publisher: YALE UNIVERSITY PRESS
Pub. date: 26 April, 2013
Pages: 276
Description: Rather than simply tracing the rise of Modernism in the 19th century, this book reconstitutes the period's cultural milieu through a series of case studies written with an eye to overarching forces at play. It surveys the field as a whole and discusses the relationships between the various media in the context of an overall "visual economy".
Synopsis: This multifaceted book reviews the vast range of types of printmaking that flourished in France during the 19th century. Studies of this period's printmaking tend to be confined to histories of individual processes, such as lithography or steel engraving. This study surveys the field as a whole and discusses the relationships between the various media in the context of an overall "visual economy."Lithography, etching, and engraving are all examined through new research on noteworthy artists of the period, including Hyacinthe Aubry-Lecomte, Leopold Flameng, Ferdinand Gaillard, Aime de Lemud, Nadar, and Charles Waltner. Rather than simply tracing the rise of Modernism in the 19th century, Distinguished Images reconstitutes the period's cultural milieu through a series of case studies written with an eye to overarching forces at play. The result is the most original analysis of printmaking to appear in many years-a striking new account of a system in which printmaking, printmakers, and art critics played heretofore unrecognized or misunderstood roles.
Illustrations: 10 color + 95 b-w illus.
Publication: US
Imprint: Yale University Press
Returns: Returnable
Some other items by this author:
ART AND THE EARLY PHOTOGRAPHIC ALBUM (HB)
CALDER (PB)
CLOTHING OF CLIO (HB)
CLOTHING OF CLIO (PB)
FLEECE
FRANKENSTEIN, CREATION AND MONSTROSITY HB (HB)
FRANKENSTEIN, CREATION AND MONSTROSITY PB (PB)
IAN HAMILTON FINLAY (PB)
INTERLACING WORDS AND THINGS (PB)
INTERPRETING CONTEMPORARY ART HB (HB)
INTERPRETING CONTEMPORARY ART HB (PB)
JANNIS KOUNELLIS (PB)
JOHN BEARD (HB)
MIDWAY (HB)
PAINTING HISTORY (HB)
PARALLEL LINES (HB)
PATRICIA JOHANSON'S HOUSE AND GARDEN COMMISSION (PB)
PAUL DELAROCHE (HB)
PROUST AND THE SENSE OF TIME (HB)
RECEPTION OF WALTER PATER IN EUROPE (HB)
SCENES AND TRACES OF THE ENGLISH CIVIL WAR (HB)
STONYPATH DAYS
TEKSTURA (HB)
TEKSTURA (PB)
THE CORAL MIND (PB)
THE LENS OF IMPRESSIONISM (HB)
THE RECEPTION OF WALTER PATER IN EUROPE
THE RECEPTION OF WALTER PATER IN EUROPE
THE RECEPTION OF WALTER PATER IN EUROPE (PB)
THE REPEATING IMAGE (HB)
THE SCULPTURE OF STEPHEN COX (HB)
THE TRADITION OF CONSTRUCTIVISM (PB)
THINGS HIDDEN SINCE THE FOUNDATION OF THE WORLD
THINGS HIDDEN SINCE THE FOUNDATION OF THE WORLD
THINGS HIDDEN SINCE THE FOUNDATION OF THE WORLD (PB)
THINGS HIDDEN SINCE THE FOUNDATION OF THE WORLD (PB)
UTOPIAS AND THE MILLENIUM (HB)
UTOPIAS AND THE MILLENIUM (PB)
VERA ROHM (PB)
WAYS AROUND MODERNISM
WAYS AROUND MODERNISM
WAYS AROUND MODERNISM
WAYS AROUND MODERNISM (HB)
WAYS AROUND MODERNISM (PB)

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