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Item Details
Title: CINEMA AUDIENCES AND MODERNITY
NEW PERSPECTIVES ON EUROPEAN CINEMA HISTORY
By: Daniel Biltereyst (Editor), Richard Maltby (Editor), Philippe Meers (Editor)
Format: Paperback

List price: £36.99
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ISBN 10: 0415672783
ISBN 13: 9780415672788
Availability: Usually dispatched within 1-3 weeks.
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Publisher: TAYLOR & FRANCIS LTD
Pub. date: 5 September, 2011
Pages: 232
Synopsis: This book sheds new light on the cinema and modernity debate by confronting established theories on the role of the modern cinematic experience with new empirical work on the history of the social experience of cinema-going, film audiences and film exhibition. The book provides a wide range of research methodologies and perspectives on these matters, including: * the use of oral history methods * questionnaires * diaries * audience letters * as well as industrial, sociological and other accounts on historical film audiences. The collection's case studies thus provide a "how to" compendium of current methodologies for researchers and students working on film and media audiences, film and media experiences, and historical reception. The volume is part of a 'new cinema history' effort within film and screen studies to look at film history not only as a history of production, textual relations or movies-as-artefacts, but rather to concentrate more on the receiving end, the social experience of cinema, and the engagement of film/cinema (history) 'from below'.The contributions to the volume reflect upon the very different ways in which cinema has been accepted, rejected or disciplined as an agent of modernity in neighbouring parts of Europe, and how cinema-going has been promoted and regulated as a popular social practice at different times in twentieth-century European history.
Illustrations: 18 black & white illustrations, 14 black & white tables
Publication: UK
Imprint: Routledge
Returns: Returnable
Some other items by this author:
"AS FEATURED IN MISS POTTER " STOCKPACK (12 COPY)
"MISS POTTER " FILM ADULT COUNTERPACK (8 COPY)
"MISS POTTER " FILM CHILDREN'S COUNTERPACK (10 COPY)
'FILM EUROPE' AND 'FILM AMERICA' (HB)
'FILM EUROPE' AND 'FILM AMERICA' (PB)
ALTERNATIVE FILM CULTURE IN INTERWAR BRITAIN (HB)
CINEMA AUDIENCES AND MODERNITY (HB)
DECODING THE MOVIES (HB)
EXPLORATIONS IN NEW CINEMA HISTORY
EXPLORATIONS IN NEW CINEMA HISTORY
EXPLORATIONS IN NEW CINEMA HISTORY
EXPLORATIONS IN NEW CINEMA HISTORY (HB)
EXPLORATIONS IN NEW CINEMA HISTORY (PB)
GOING TO THE MOVIES
GOING TO THE MOVIES (HB)
GOING TO THE MOVIES (PB)
HARMLESS ENTERTAINMENT (HB)
HOLLYWOOD ABROAD: AUDIENCES AND CULTURAL EXCHANGE (HB)
HOLLYWOOD ABROAD: AUDIENCES AND CULTURAL EXCHANGE (PB)
HOLLYWOOD CINEMA 2E (PB)
HOLLYWOOD SPECTATORSHIP: CHANGING PERCEPTIONS OF CINEMA AUDIENCES (PB)
IDENTIFYING HOLLYWOOD'S AUDIENCES: CULTURAL IDENTITY AND THE MOVIES (HB)
IDENTIFYING HOLLYWOOD'S AUDIENCES: CULTURAL IDENTITY AND THE MOVIES (PB)
KEY STAGE 3 HISTORY ACTIVITIES
MAXIMUM MOVIES - PULP FICTIONS (HB)
MAXIMUM MOVIES - PULP FICTIONS (PB)
MISS POTTER (PB)
MORALIZING CINEMA
MORALIZING CINEMA
MORALIZING CINEMA (HB)
MULTIMEDIA HISTORIES (HB)
NEW CINEMA HISTORY (HB)
NEW CINEMA HISTORY (PB)
RACIAL, ETHNIC, AND HOMOPHOBIC VIOLENCE
RACIAL, ETHNIC, AND HOMOPHOBIC VIOLENCE
RACIAL, ETHNIC, AND HOMOPHOBIC VIOLENCE
RACIAL, ETHNIC, AND HOMOPHOBIC VIOLENCE
RACIAL, ETHNIC, AND HOMOPHOBIC VIOLENCE
RACIAL, ETHNIC, AND HOMOPHOBIC VIOLENCE
SILENCING CINEMA
SILENCING CINEMA (HB)
SILENCING CINEMA (PB)
THE BEGINNINGS OF THE CINEMA IN ENGLAND, 1894-1901 (HB)
THE BEGINNINGS OF THE CINEMA IN ENGLAND, 1894-1901 (HB)
THE ROUTLEDGE COMPANION TO NEW CINEMA HISTORY (HB)

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