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Item Details
Title: WHY BECKETT
By: Enoch Brater
Format: Hardback

List price: £12.95


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0500014620
ISBN 13: 9780500014622
Publisher: THAMES & HUDSON LTD
Pub. date: 28 August, 1989
Pages: 144
Synopsis: Theatre Journal Since Enoch Brater's essential study of Samuel Beckett's life and works was originally published before Beckett died, the author has taken the opportunity of this paperback reprint to bring his subject up to date. Beckett was undoubtedly a difficult writer, and one of the virtues of this biography is to give the general reader easier access to all aspects of his work, particularly the more elliptic theater and prose pieces of his later years. Brater follows Beckett's career from the early days in Ireland to the efllorescence in his chosen expatriate home in France just after the Second World War, and beyond that to his success in the rest of the world as a result of the universal appeal of his cryptic, moving play Waiting for Godot. Brater emphasizes the Irish rhythms in Beckett's writing and examines, at all stages, the intriguing relationship between his fiction and his compositions for theater, film, and television. Supported by a generous selection of photographs, including many examples of Beckett productions in all parts of the world, this is the indispensable guide to understanding one of the literary geniuses of the twentieth century.
Illustrations: 100 illustrations
Publication: UK
Imprint: Thames & Hudson Ltd
Returns: Non-returnable
Some other items by this author:
"DEATH OF A SALESMAN" (PB)
A STUDENT HANDBOOK TO THE PLAYS OF ARTHUR MILLER
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A STUDENT HANDBOOK TO THE PLAYS OF ARTHUR MILLER (PB)
ADAPTATION IN CONTEMPORARY THEATRE (HB)
ADAPTATION IN CONTEMPORARY THEATRE (PB)
APPROACHES TO TEACHING BECKETT'S WAITING FOR GODOT (PB)
AROUND THE ABSURD (PB)
AROUND THE ABSURD (PB)
ARTHUR MILLER'S AMERICA (PB)
ARTHUR MILLER'S GLOBAL THEATER
AUTHENTICITY IN CONTEMPORARY THEATRE AND PERFORMANCE
AUTHENTICITY IN CONTEMPORARY THEATRE AND PERFORMANCE
AUTHENTICITY IN CONTEMPORARY THEATRE AND PERFORMANCE (HB)
BEAT DRAMA
BEAT DRAMA
BEAT DRAMA (HB)
BEAT DRAMA (PB)
BEYOND MINIMALISM (PB)
BRECHT IN PRACTICE
BRECHT IN PRACTICE (HB)
BRECHT IN PRACTICE (PB)
DEATH OF A SALESMAN
DEATH OF A SALESMAN
DEATH OF A SALESMAN (HB)
HOWARD BARKER'S THEATRE: WRESTLING WITH CATASTROPHE
HOWARD BARKER'S THEATRE: WRESTLING WITH CATASTROPHE
HOWARD BARKER'S THEATRE: WRESTLING WITH CATASTROPHE (HB)
HOWARD BARKER'S THEATRE: WRESTLING WITH CATASTROPHE (PB)
RUTH MALECZECH AT MABOU MINES
RUTH MALECZECH AT MABOU MINES
RUTH MALECZECH AT MABOU MINES (HB)
RUTH MALECZECH AT MABOU MINES (PB)
SOCIAL AND POLITICAL THEATRE IN 21ST-CENTURY BRITAIN
SOCIAL AND POLITICAL THEATRE IN 21ST-CENTURY BRITAIN
SOCIAL AND POLITICAL THEATRE IN 21ST-CENTURY BRITAIN (HB)
SOCIAL AND POLITICAL THEATRE IN 21ST-CENTURY BRITAIN (PB)
TEN WAYS OF THINKING ABOUT SAMUEL BECKETT
TEN WAYS OF THINKING ABOUT SAMUEL BECKETT
TEN WAYS OF THINKING ABOUT SAMUEL BECKETT (PB)
THE CONTEMPORARY AMERICAN MONOLOGUE
THE CONTEMPORARY AMERICAN MONOLOGUE
THE CONTEMPORARY AMERICAN MONOLOGUE (HB)
THE CONTEMPORARY AMERICAN MONOLOGUE (PB)
THE DRAMA IN THE TEXT (HB)
THE ESSENTIAL SAMUEL BECKETT (PB)
THE THEATRE (PB)
THE THEATRE (PB)
THE THEATRE OF REAL PEOPLE (HB)
THE THEATRE OF REAL PEOPLE (PB)
THE THEATRICAL GAMUT (HB)
WATCHING WAR ON THE TWENTY-FIRST CENTURY STAGE
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