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Item Details
Title: THE MEDIEVAL POET AS VOYEUR
By: A. C. Spearing
Format: Electronic book text

List price: £85.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 051151879X
ISBN 13: 9780511518799
Publisher: CAMBRIDGE UNIVERSITY PRESS
Pub. date: 20 August, 2009
Description: In his new book, leading medievalist A. C. Spearing provides the only study of the many scenes of secret watching and listening in medieval love-stories, and of the way that the central importance of these scenes encourages both the poets and their readers to imagine themselves as voyeurs in relation to what they read.
Synopsis: While love is private, and in medieval literature especially is seen as demanding secrecy, to tell stories about it is to make it public. Looking, often accompanied by listening, is the means by which love is brought into the public realm and by which legal evidence of adulterous love can be obtained. Medieval romances contain many scenes in which secret watchers and listeners play leading roles, and in which the problematic relation of sight to truth is a central theme. The effect of such scenes is to place the poem's audience as secret watchers and listeners; and in later medieval narratives, as the role of the storyteller comes to be realized, the poet too sees himself in the undignified role of a voyeur. A. C. Spearing's book explores these and related themes, first in relation to medieval and modern theories and instances of looking, and then through a series of readings of romances and first-person narratives, including works by Beroul, Gottfried von Strassburg, Chretien de Troyes, Marie de France, Chaucer, Lydgate, Douglas, Dunbar, and Skelton. Its focus on looking also leads to the recovery of some less well-known works such as Partonope of Blois and The Squire of Low Degree. The general approach is psychoanalytic, but the reading of specific medieval texts always has primacy, and this in turn makes possible a running critique of current conceptions of the gaze in relation to power and gender.
Publication: UK
Imprint: Cambridge University Press (Virtual Publishing)
Returns: Non-returnable
Some other items by this author:
CRITICISM AND MEDIEVAL POETRY
FRANKLIN''S PROLOGUE AND TALE (PB)
GAWAIN-POET (HB)
MEDIEVAL AUTOGRAPHIES (PB)
MEDIEVAL DREAM POETRY (PB)
MEDIEVAL DREAM-POETRY (HB)
MEDIEVAL TO RENAISSANCE IN ENGLISH POETRY (HB)
MEDIEVAL TO RENAISSANCE IN ENGLISH POETRY (PB)
PARDONER''S PROLOGUE AND TALE (PB)
READINGS IN MEDIEVAL POETRY (HB)
READINGS IN MEDIEVAL POETRY (PB)
REVELATIONS OF DIVINE LOVE (PB)
TEXTUAL SUBJECTIVITY (HB)
THE CLOUD OF UNKNOWING AND OTHER WORKS (PB)
THE FRANKLIN'S PROLOGUE AND TALE (PB)
THE FRANKLIN'S PROLOGUE AND TALE (PB)
THE GAWAIN-POET (PB)
THE KNIGHT'S TALE (PB)
THE KNIGHT'S TALE (PB)
THE MEDIEVAL POET AS VOYEUR (HB)
THE MEDIEVAL POET AS VOYEUR (PB)
THE MERCHANT'S PROLOGUE AND TALE CD (CD)
THE PARDONER'S PROLOGUE AND TALE (PB)
THE PARDONER'S PROLOGUE AND TALE (PB)
THE REEVE'S PROLOGUE AND TALE (PB)
THE REEVE'S PROLOGUE AND TALE WITH THE COOK'S PROLOGUE AND THE FRAGMENT OF HIS TALE (PB)

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