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Item Details
Title: THE RED ROOSTER SCARE
MAKING CINEMA AMERICAN, 1900-1910
By: Richard Abel
Format: Paperback

List price: £30.00
Our price: £24.00
Discount:
20% off
You save: £6.00
ISBN 10: 0520214781
ISBN 13: 9780520214781
Availability: Usually dispatched within 1-3 weeks.
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Publisher: UNIVERSITY OF CALIFORNIA PRESS
Pub. date: 15 March, 1999
Pages: 328
Description: Demonstrates how crucial French films were in making 'going to the movies' popular in the United States, first in vaudeville houses and then in nickelodeons. This book exposes the consequences of that popularity. It offers a revealing cultural history of American cinema's nationalization.
Synopsis: Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathe company's 'Red Rooster' films could be found 'everywhere.' Through extensive original research, Richard Abel demonstrates how crucial French films were in making 'going to the movies' popular in the United States, first in vaudeville houses and then in nickelodeons. Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested site of Americanization. Pathe's Red Rooster films came to be defined as dangerously 'foreign' and 'alien' and even 'feminine' (especially in relation to 'American' subjects like westerns). Their impact was thwarted, and they were nearly excluded from the market, all in order to ensure that the American cinema would be truly American."The Red Rooster Scare" offers a revealing and readable cultural history of American cinema's nationalization, by one of the most distinguished historians of early cinema.
Illustrations: 54 b/w illustrations
Publication: US
Imprint: University of California Press
Returns: Returnable
Some other items by this author:
AMERICANIZING THE MOVIES AND "MOVIE-MAD" AUDIENCES, 1910-1914 (PB)
AMERICANIZING THE MOVIES AND -MOVIE-MAD- AUDIENCES, 1910-1914
EARLY CINEMA (HB)
EARLY CINEMA AND THE "NATIONAL"
EARLY CINEMA AND THE "NATIONAL"
ENCYCLOPEDIA OF EARLY CINEMA
ENCYCLOPEDIA OF EARLY CINEMA
ENCYCLOPEDIA OF EARLY CINEMA
ENCYCLOPEDIA OF EARLY CINEMA
ENCYCLOPEDIA OF EARLY CINEMA
ENCYCLOPEDIA OF EARLY CINEMA
ENCYCLOPEDIA OF EARLY CINEMA (HB)
ENCYCLOPEDIA OF EARLY CINEMA (PB)
ENCYCLOPEDIA OF EARLY CINEMA (PB)
ENGLISH LAWYERS BETWEEN MARKET AND STATE (HB)
ENGLISH LAWYERS BETWEEN MARKET AND STATE (PB)
EXHIBITOR AS PRODUCER (HB)
FLICKERS OF DESIRE (HB)
FLICKERS OF DESIRE (PB)
FRENCH FILM THEORY AND CRITICISM, VOLUME 1 (PB)
FRENCH FILM THEORY AND CRITICISM, VOLUME 2 (PB)
IMMIGRANT PUBLISHERS
IMMIGRANT PUBLISHERS
IMMIGRANT PUBLISHERS
IMMIGRANT PUBLISHERS (HB)
MENUS FOR MOVIELAND
MENUS FOR MOVIELAND (HB)
MENUS FOR MOVIELAND (PB)
MOTOR CITY MOVIE CULTURE, 1916-1925
MOTOR CITY MOVIE CULTURE, 1916-1925 (HB)
OUR COUNTRY/WHOSE COUNTRY?
POLITICS BY OTHER MEANS
POLITICS BY OTHER MEANS
POLITICS BY OTHER MEANS
POLITICS BY OTHER MEANS (PB)
SILENT FILM (PB)
SILENT FILM (PB)
SPEAKING RESPECT, RESPECTING SPEECH (HB)
SPEAKING RESPECT, RESPECTING SPEECH (PB)
THE BOOK IN THE UNITED STATES TODAY (PB)
THE CINE GOES TO TOWN
THE CINE GOES TO TOWN (PB)
THE GUTENBERG REVOLUTION
THE GUTENBERG REVOLUTION
THE GUTENBERG REVOLUTION
THE GUTENBERG REVOLUTION (HB)
THE GUTENBERG REVOLUTION (PB)
THE RED ROOSTER SCARE
THE SOUNDS OF EARLY CINEMA
THE SOUNDS OF EARLY CINEMA (HB)


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