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Item Details
Title: WE WEREN'T MODERN ENOUGH
WOMEN ARTISTS AND THE LIMITS OF GERMAN MODERNISM
By: Marsha Meskimmon
Format: Paperback

List price: £27.95


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ISBN 10: 0520221346
ISBN 13: 9780520221345
Publisher: UNIVERSITY OF CALIFORNIA PRESS
Pub. date: 14 October, 1999
Series: Weimar & Now: German Cultural Criticism
Pages: 263
Description: Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that in effect denied women a voice. The book is an effort to reconceive the period's art history and the perspective of the Weimar woman artist.
Synopsis: Marsha Meskimmon furnishes a fresh perspective on the art of women in the Weimar Republic and in the process reclaims the lost history of a number of artists who have not received adequate attention--not only because they were women but also because they continued to align themselves with the modes of realistic representation the Expressionists regarded as reactionary. Reconsidering the traditional definitions of German modernism and its central issues of race politics, eugenics, and the city, Meskimmon explores the structures that marginalized the work of little known artists such as Lotte Laserstein, Jeanne Mammen, Gerta Overbeck and Grete Jurgens. She shows how these women's personal and professional experiences in the 1920s and 1930s relate to the visual imagery produced at that time. She also examines representations of different female roles--prostitute, mother, housewife, the "New Woman" and "garconne"--that attracted the attention of these artists. Situating her exploration on a strong theoretical base, she ranges deftly over mass visual culture--from film to poster art and advertising--to create a vivid portrait of women living and creating in Weimar Germany.
Illustrations: illustrations
Publication: US
Imprint: University of California Press
Returns: Non-returnable
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AFTER-AFFECTS | AFTER-IMAGES (HB)
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ART, ETHNOGRAPHY AND THE LIFE OF OBJECTS (PB)
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CONTEMPORARY ART AND THE COSMOPOLITAN IMAGINATION
CONTEMPORARY ART AND THE COSMOPOLITAN IMAGINATION
CONTEMPORARY ART AND THE COSMOPOLITAN IMAGINATION (HB)
CONTEMPORARY ART AND THE COSMOPOLITAN IMAGINATION (PB)
CUBISM AND ITS HISTORIES (PB)
DE STIJL AND DUTCH MODERNISM (PB)
DRAWING DIFFERENCE (HB)
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ENGENDERING THE CITY (PB)
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FLESH CINEMA (HB)
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FLESHING OUT SURFACES
FLESHING OUT SURFACES
FLESHING OUT SURFACES (HB)
FOCUS ON THE MATERNAL (PB)
FRAGONARD'S PLAYFUL PAINTINGS (HB)
GLORIOUS CATASTROPHE (HB)
GLORIOUS CATASTROPHE (PB)
HOME/LAND (HB)
INTERSECTIONS (HB)
MEMORY IN PERSPECTIVE (PB)
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PERFORMANCE ART IN EASTERN EUROPE SINCE 1960
PERFORMANCE ART IN EASTERN EUROPE SINCE 1960
PERFORMANCE ART IN EASTERN EUROPE SINCE 1960 (HB)
PERFORMANCE ART IN EASTERN EUROPE SINCE 1960 (PB)
PERFORMATIVE MONUMENTS (HB)
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PHOTOGRAPHY AND DOCUMENTARY FILM IN THE MAKING OF MODERN BRAZIL (HB)
POLITICS AND PAINTING AT THE VENICE BIENNALE, 1948-64 (HB)
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THE 'DO-IT-YOURSELF' ARTWORK (HB)
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THE ART OF REFLECTION (HB)
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THE ART OF REFLECTION (PB)
THE ART OF REFLECTION (PB)
THE FACE OF MEDICINE (HB)
THE FACE OF MEDICINE (PB)
THE INVISIBLE FLANEUSE? (PB)
THE MATTER OF MIRACLES (HB)
THE NEWSPAPER CLIPPING (HB)
THE PARADOX OF BODY, BUILDING AND MOTION IN SEVENTEENTH-CENTURY ENGLAND
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THE POLITICAL AESTHETICS OF THE ARMENIAN AVANT-GARDE
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TIMED OUT (HB)
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TRANSCULTURAL ENCOUNTERS (HB)
TRANSNATIONAL FEMINISMS AND ART''S TRANSHEMISPHERIC HISTORIES
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