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Item Details
Title: "HOLLYWOOD QUARTERLY"
FILM CULTURE IN POSTWAR AMERICA, 1945-1957
By: Eric Smoodin (Editor), Ann Martin (Editor)
Format: Paperback

List price: £24.00
Our price: £19.20
Discount:
20% off
You save: £4.80
ISBN 10: 0520232747
ISBN 13: 9780520232747
Availability: Usually dispatched within 1-3 weeks.
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Publisher: UNIVERSITY OF CALIFORNIA PRESS
Pub. date: 17 April, 2002
Pages: 417
Description: This selection of essays taken from "Hollywood Quarterly" reflect the astonishing eclecticism of the journal, with sections on animation, the avant-garde, and documentary to go along with a representative sampling of articles about feature-length narrative films.
Synopsis: The first issue of Hollywood Quarterly, in October 1945, marked the appearance of the most significant, successful, and regularly published journal of its kind in the United States. For its entire life, the Quarterly held to the leftist utopianism of its founders, several of whom would later be blacklisted. The journal attracted a collection of writers unmatched in North American film studies for the heterogeneity of their intellectual and practical concerns: from film, radio, and television industry workers to academics; from Sam Goldwyn, Edith Head, and Chuck Jones to Theodor Adorno and Siegfried Kracauer. For this volume, Eric Smoodin and Ann Martin have selected essays that reflect the astonishing eclecticism of the journal, with sections on animation, the avant-garde, and documentary to go along with a representative sampling of articles about feature-length narrative films. They have also included articles on radio and television, reflecting the contents of just about every issue of the journal and exemplifying the extraordinary moment in film and media studies that Hollywood Quarterly captured and helped to create.In 1951, Hollywood Quarterly was renamed the Quarterly of Film, Radio, and Television, and in 1958 it was replaced by Film Quarterly, which is still published by the University of California Press. During those first twelve years, the Quarterly maintained an intelligent, sophisticated, and critical interest in all the major entertainment media, not just film, and in issue after issue insisted on the importance of both aesthetic and sociological methodologies for studying popular culture, and on the political significance of the mass media.
Illustrations: 22 b/w photographs, 12 line figures, 5 tables
Publication: US
Imprint: University of California Press
Returns: Returnable
Some other items by this author:
"LIGHT OF MY LIFE" (PB)
ALL THINGS PAPER (PB)
ALL THINGS PAPER (PB)
ALL THINGS PAPER (PB)
ANIMATING CULTURE (PB)
CREATIVE PAPER QUILLING (PB)
DISNEY DISCOURSE
DISNEY DISCOURSE
DISNEY DISCOURSE
DISNEY DISCOURSE
DISNEY DISCOURSE
DISNEY DISCOURSE
DISNEY DISCOURSE (HB)
DISNEY DISCOURSE (PB)
GRAIN SIZE DATA COMPILATION AND PARAMETERS OF SEDIMENT SAMPLES
HOLLYWOOD QUARTERLY
INTERDISCIPLINARY/MULTIDISCIPLINARY WOOLF
INTERDISCIPLINARY/MULTIDISCIPLINARY WOOLF (PB)
LOOKING PAST THE SCREEN (HB)
LOOKING PAST THE SCREEN (PB)
PARIS IN THE DARK
PARIS IN THE DARK (HB)
RED RIDING HOOD AND THE WOLF IN BED (HB)
RED RIDING HOOD AND THE WOLF IN BED (PB)
REGARDING FRANK CAPRA (HB)
REGARDING FRANK CAPRA (PB)
SNOW WHITE AND THE SEVEN DWARFS (PB)
TARTAN + TWEED (HB)
THE AMERICAN FILM HISTORY READER (HB)
THE AMERICAN FILM HISTORY READER (PB)
THE ART OF QUILLING PAPER JEWELRY (PB)

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