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Item Details
Title: STAR TREK AND AMERICAN TELEVISION
By: Roberta E. Pearson, Maire Messenger Davies, Patrick Stewart (Foreword)
Format: Paperback

List price: £30.00
Our price: £24.00
Discount:
20% off
You save: £6.00
ISBN 10: 0520276221
ISBN 13: 9780520276222
Availability: Usually dispatched within 1-3 weeks.
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Publisher: UNIVERSITY OF CALIFORNIA PRESS
Pub. date: 18 April, 2014
Pages: 256
Synopsis: At the heart of one of the most successful transmedia franchises of all time, Star Trek, lies an initially unsuccessful 1960s television production, Star Trek: The Original Series. In Star Trek and American Television, Pearson and Messenger Davies, take their cue from the words of the program's first captain, William Shatner, in an interview with the authors: "It's a television show." In focusing on Star Trek as a television show, the authors argue that the program has to be seen in the context of the changing economic conditions of American television throughout the more than four decades of Star Trek's existence as a transmedia phenomenon that includes several films as well as the various television series. The book is organized into three sections, dealing with firstly, the context of production, the history and economics of Star Trek from the original series (1966-1969) to its final television incarnation in Enterprise (2002-2005).Secondly, it focuses on the interrelationships between different levels of production and production workers, drawing on uniquely original material, including interviews with star captains William Shatner and Sir Patrick Stewart, and with production workers ranging from set-builders to executive producers, to examine the tensions between commercial constraints and creative autonomy. These interviews were primarily carried out in Hollywood during the making of the film Nemesis (2002) and the first series of Star Trek: Enterprise. Thirdly, the authors employ textual analysis to study the narrative "storyworld" of the Star Trek television corpus and also to discuss the concept and importance of character in television drama. The book is a deft historical and critical study that is bound to appeal to television and media studies scholars, students, and Star Trek fans the world over. With a foreword by Sir Patrick Stewart, Captain Jean-Luc Picard in Star Trek: The Next Generation.
Illustrations: 25 black/white photographs
Publication: US
Imprint: University of California Press
Returns: Returnable
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'DEAR BBC'
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CRITICAL DICTIONARY OF FILM AND TELEVISION THEORY
CRITICAL DICTIONARY OF FILM AND TELEVISION THEORY
CRITICAL DICTIONARY OF FILM AND TELEVISION THEORY
CRITICAL DICTIONARY OF FILM AND TELEVISION THEORY
CRITICAL DICTIONARY OF FILM AND TELEVISION THEORY (HB)
CRITICAL DICTIONARY OF FILM AND TELEVISION THEORY (PB)
CULT TELEVISION (HB)
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ELOQUENT GESTURES
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FAKE, FACT AND FANTASY (HB)
FAKE, FACT AND FANTASY (PB)
FAKE, FACT, AND FANTASY
FAKE, FACT, AND FANTASY
FAKE, FACT, AND FANTASY
MAKING IT SO
MAKING IT SO (CD)
MAKING IT SO (HB)
MANY MORE LIVES OF THE BATMAN (HB)
MANY MORE LIVES OF THE BATMAN (PB)
PRACTICAL RESEARCH METHODS FOR MEDIA AND CULTURAL STUDIES (HB)
PRACTICAL RESEARCH METHODS FOR MEDIA AND CULTURAL STUDIES (HB)
PRACTICAL RESEARCH METHODS FOR MEDIA AND CULTURAL STUDIES (PB)
PRACTICAL RESEARCH METHODS FOR MEDIA AND CULTURAL STUDIES (PB)
READING "LOST" (PB)
REFRAMING CULTURE
REFRAMING CULTURE (HB)
REFRAMING CULTURE (PB)
REFRAMING CULTURE (PB)
SELVES IN DISCORD AND RESOLVE
STAR TREK AND AMERICAN TELEVISION
STAR TREK AND AMERICAN TELEVISION (HB)
STORYTELLING IN THE MEDIA CONVERGENCE AGE
STORYTELLING IN THE MEDIA CONVERGENCE AGE (HB)
TELEVISION IS GOOD FOR YOUR KIDS (PB)
THE LAST BATTLE
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TRANSATLANTIC TELEVISION DRAMA (HB)
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