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Item Details
Title: SCHENKER'S INTERPRETIVE PRACTICE
By: Robert Snarrenberg, Ian Bent
Format: Paperback

List price: £32.99
Our price: £28.87
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ISBN 10: 0521017432
ISBN 13: 9780521017435
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Publisher: CAMBRIDGE UNIVERSITY PRESS
Pub. date: 30 April, 2005
Series: Cambridge Studies in Music Theory & Analysis No. 11
Pages: 200
Description: This is the first comprehensive study of this century's most influential music theorist, Heinrich Schenker.
Synopsis: Schenker's Interpretive Practice is the first comprehensive study of this century's most influential music theorist, Heinrich Schenker. Since the 1960s, American theorists and musicologists have focused almost exclusively on analytical methods distilled from Schenker's writings. Breaking from that tradition, Robert Snarrenberg returns to Schenker's texts and to the humanist roots of his approach, situating Schenker's work in the broader context of his desire to portray the richness and particularity of musical experience. Snarrenberg concentrates on four aims that Schenker hoped to achieve: to present a theoretical account of musical effects encountered in European music of the eighteenth and nineteenth centuries, to represent the mindset shared among composers of that music, to convey the expressive interaction of musical effects in individual artwork, and to promote continued creative and re-creative participation in the musical tradition. Author recipient of the 1998 Young Scholar Award from the Society of Music Theory.
Illustrations: 1 table 58 music examples
Publication: UK
Imprint: Cambridge University Press
Prizes: Winner of Young Scholar Award from the Society for Music Theory 1998
Returns: Returnable
Some other items by this author:
DER TONWILLE (HB)
ERNST KURTH: SELECTED WRITINGS (PB)
FRANZ SCHUBERT (PB)
GENDERING MUSICAL MODERNISM (PB)
HAYDN'S 'FAREWELL' SYMPHONY AND THE IDEA OF CLASSICAL STYLE (PB)
HEINRICH SCHENKER: SELECTED CORRESPONDENCE (HB)
MAHLER'S SIXTH SYMPHONY (PB)
MUSIC ANALYSIS IN THE NINETEENTH CENTURY: VOLUME 1, FUGUE, FORM AND STYLE (PB)
MUSIC ANALYSIS IN THE NINETEENTH CENTURY: VOLUME 2, HERMENEUTIC APPROACHES
MUSIC ANALYSIS IN THE NINETEENTH CENTURY: VOLUME 2, HERMENEUTIC APPROACHES (PB)
MUSIC THEORY IN THE AGE OF ROMANTICISM (PB)
MUSICAL FORM IN THE AGE OF BEETHOVEN (HB)
MUSICAL FORM IN THE AGE OF BEETHOVEN (PB)
RAMEAU AND MUSICAL THOUGHT IN THE ENLIGHTENMENT (PB)
READING RENAISSANCE MUSIC THEORY (PB)
SCHENKER''S INTERPRETIVE PRACTICE (HB)
SCHENKER'S ARGUMENT AND THE CLAIMS OF MUSIC THEORY (HB)
SCHENKER'S ARGUMENT AND THE CLAIMS OF MUSIC THEORY (PB)
SCHENKER'S INTERPRETIVE PRACTICE
STRAVINSKY'S LATE MUSIC (PB)
THE MASTERWORK IN MUSIC (PB)
THE MASTERWORK IN MUSIC (PB)
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