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Item Details
Title:
THEATRICALITY
By:
Tracy C. Davis (Editor), Thomas Postlewait (Editor)
Format:
Hardback
List price:
£81.00
Our price:
£70.88
Discount:
12.5
% off
You save:
£10.12
ISBN 10:
0521812690
ISBN 13:
9780521812696
Availability:
Usually dispatched within 1-3 weeks.
Delivery rates
Stock:
Currently
0
available
Publisher:
CAMBRIDGE UNIVERSITY PRESS
Pub. date:
9 February, 2004
Series:
Theatre and Performance Theory
Pages:
256
Description:
This collection of specially-commissioned, accessible, essays explores that element of performance theory known as theatricality.
Synopsis:
This collection of specially-commissioned, accessible, essays explores that element of performance theory known as theatricality. Six case studies, each written by a specialist in the field, use historically specific circumstances to illustrate how and why the concept of theatricality was and is used. Topics discussed include early use of the term; employment of 'theatricality' by a number of other disciplines to describe events; non-Western interpretation of theatricality; and its use when discussing and analyzing political and cultural events and philosophies. The book provides a first-step guide for those discovering the complex yet rewarding world of performance theory.
Illustrations:
2 b/w illus.
Publication:
UK
Imprint:
Cambridge University Press
Returns:
Returnable
Some other items by this author:
A CULTURAL HISTORY OF THEATRE
ACTRESSES AS WORKING WOMEN
ACTRESSES AS WORKING WOMEN
ACTRESSES AS WORKING WOMEN
ACTRESSES AS WORKING WOMEN
ACTRESSES AS WORKING WOMEN
ACTRESSES AS WORKING WOMEN (HB)
ACTRESSES AS WORKING WOMEN (PB)
AMERICAN THEATER IN THE CULTURE OF THE COLD WAR (HB)
BERNARD SHAW AND WILLIAM ARCHER (HB)
CZECH THEATRE DESIGN IN THE TWENTIETH CENTURY
GEORGE BERNARD SHAW AND THE SOCIALIST THEATRE (HB)
GEORGE BERNARD SHAW AND THE SOCIALIST THEATRE (PB)
INTERPRETING THE THEATRICAL PAST (PB)
JEWS AND THE MAKING OF MODERN GERMAN THEATRE (HB)
LIBERAL LIVES AND ACTIVIST REPERTOIRES (HB)
MOLIERE, THE FRENCH REVOLUTION, AND THE THEATRICAL AFTERLIFE (HB)
PROFESSING PERFORMANCE (PB)
PROPHET OF THE NEW DRAMA (HB)
REPRESENTING THE PAST (PB)
ROUTLEDGE COMPANION TO THEATRE AND PERFORMANCE HISTORIOGRAPHY
STAGE FRIGHT, ANIMALS, AND OTHER THEATRICAL PROBLEMS (HB)
STAGE FRIGHT, ANIMALS, AND OTHER THEATRICAL PROBLEMS (PB)
STAGES OF EMERGENCY (HB)
STAGES OF EMERGENCY (PB)
STAGESTRUCK FILMMAKER (HB)
STRANGE DUETS (HB)
THE BROADVIEW ANTHOLOGY OF NINETEENTH-CENTURY BRITISH PERFORMANCE (PB)
THE CAMBRIDGE COMPANION TO PERFORMANCE STUDIES
THE CAMBRIDGE COMPANION TO PERFORMANCE STUDIES (HB)
THE CAMBRIDGE COMPANION TO PERFORMANCE STUDIES (PB)
THE CAMBRIDGE INTRODUCTION TO THEATRE HISTORIOGRAPHY (HB)
THE CAMBRIDGE INTRODUCTION TO THEATRE HISTORIOGRAPHY (PB)
THE ECONOMICS OF THE BRITISH STAGE 1800-1914 (HB)
THE ECONOMICS OF THE BRITISH STAGE 1800-1914 (PB)
THE MAKING OF THEATRICAL REPUTATIONS (HB)
THE PERFORMING CENTURY
THE PERFORMING CENTURY (HB)
THE PERFORMING CENTURY (PB)
THEATRE AND IDENTITY IN IMPERIAL RUSSIA (HB)
THEATRE IS MORE BEAUTIFUL THAN WAR (HB)
THEATRICALITY (PB)
WILLIAM ARCHER ON IBSEN (HB)
WOMEN AND PLAYWRITING IN NINETEENTH-CENTURY BRITAIN (HB)
WOMEN AND PLAYWRITING IN NINETEENTH-CENTURY BRITAIN (PB)
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