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Item Details
Title: FROM MAY FOURTH TO JUNE FOURTH
FICTION AND FILM IN TWENTIETH-CENTURY CHINA
By: Ellen Widmer, David Der-Wei Wang
Format: Electronic book text

List price: £32.95


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ISBN 10: 0674045165
ISBN 13: 9780674045163
Publisher: HARVARD UNIVERSITY PRESS
Pub. date: 31 July, 2009
Series: Harvard Contemporary China Series 9
Pages: 464
Synopsis: What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity. Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China. Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity.
Illustrations: 2 halftone
Publication: US
Imprint: Harvard University Press
Returns: Non-returnable
Some other items by this author:
A NEW LITERARY HISTORY OF MODERN CHINA (HB)
CHINA'S CHRISTIAN COLLEGES (HB)
CHINA'S CHRISTIAN COLLEGES (PB)
CHINESE LITERATURE IN THE SECOND HALF OF A MODERN CENTURY
DYNASTIC CRISIS AND CULTURAL INNOVATION (HB)
FICTION'S FAMILY (HB)
FIN-DE-SIECLE SPLENDOR (HB)
FROM MAY FOURTH TO JUNE FOURTH (PB)
QUELLING THE DEMONS' REVOLT (HB)
QUELLING THE DEMONS' REVOLT (PB)
RUNNING WILD (PB)
TAIWAN UNDER JAPANESE COLONIAL RULE, 1895-1945 (HB)
THE BEAUTY AND THE BOOK (HB)
THE BOOK OF CHANGE (HB)
THE BOOK OF CHANGE (PB)
THE FALL OF THE PAGODA (HB)
THE FALL OF THE PAGODA (PB)
THE LAST OF THE WHAMPOA BREED (HB)
THE LYRICAL IN EPIC TIME
THE LYRICAL IN EPIC TIME (HB)
THE MONSTER THAT IS HISTORY
THE MONSTER THAT IS HISTORY (PB)
THE RICE SPROUT SONG (PB)
THE ROUGE OF THE NORTH (PB)
TRAUMA AND TRANSCENDENCE IN EARLY QING LITERATURE (HB)
WHY FICTION MATTERS IN CONTEMPORARY CHINA
WHY FICTION MATTERS IN CONTEMPORARY CHINA (HB)
WRITING TAIWAN (HB)
WRITING TAIWAN (PB)
WRITING WOMEN IN LATE IMPERIAL CHINA (HB)
WRITING WOMEN IN LATE IMPERIAL CHINA (PB)

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