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Item Details
Title: AFRICA SPEAKS, AMERICA ANSWERS
MODERN JAZZ IN REVOLUTIONARY TIMES
By: Robin D. G. Kelley
Format: Hardback

List price: £35.95
Our price: £28.76
Discount:
20% off
You save: £7.19
ISBN 10: 0674046242
ISBN 13: 9780674046245
Availability: Usually dispatched within 1-3 weeks.
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Publisher: HARVARD UNIVERSITY PRESS
Pub. date: 7 February, 2012
Series: The Nathan I. Huggins Lectures
Pages: 272
Description: This collective biography of four jazz musicians from Brooklyn, Ghana, and South Africa demonstrates how modern Africa reshaped jazz, how modern jazz helped form a new African identity, and how musical convergences and crossings altered the politics and culture of both continents.
Synopsis: In Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with song the revolutions spreading across Africa. In Ghana and South Africa, drummer Guy Warren and vocalist Sathima Bea Benjamin fused local musical forms with the dizzying innovations of modern jazz. These four were among hundreds of musicians in the 1950s and '60s who forged connections between jazz and Africa that definitively reshaped both their music and the world. Each artist identified in particular ways with Africa's struggle for liberation and made music dedicated to, or inspired by, demands for independence and self-determination. That music was the wild, boundary-breaking exultation of modern jazz. The result was an abundance of conversation, collaboration, and tension between African and African American musicians during the era of decolonization. This collective biography demonstrates how modern Africa reshaped jazz, how modern jazz helped form a new African identity, and how musical convergences and crossings altered politics and culture on both continents.In a crucial moment when freedom electrified the African diaspora, these black artists sought one another out to create new modes of expression. Documenting individuals and places, from Lagos to Chicago, from New York to Cape Town, Robin Kelley gives us a meditation on modernity: we see innovation not as an imposition from the West but rather as indigenous, multilingual, and messy, the result of innumerable exchanges across a breadth of cultures.
US Grade: College Graduate Student
Illustrations: 9 halftones
Publication: US
Imprint: Harvard University Press
Returns: Returnable
Some other items by this author:
A HISTORY OF PAN-AFRICAN REVOLT
A HISTORY OF PAN-AFRICAN REVOLT
A HISTORY OF PAN-AFRICAN REVOLT (PB)
AFRICA SPEAKS, AMERICA ANSWERS
AMERICA AT WAR WITH ITSELF
AMERICA AT WAR WITH ITSELF (PB)
BLACK BODIES SWINGING (HB)
BLACK MARXISM (PB)
BLACK, BROWN, & BEIGE (PB)
ELLA BAKER AND THE BLACK FREEDOM MOVEMENT
FREEDOM DREAMS (PB)
HAMMER AND HOE (PB)
HANK WILLIS THOMAS: PITCH BLACKNESS (HB)
IN THE LION'S MOUTH (HB)
IN THE LION'S MOUTH: BLACK POPULISM IN THE NEW SOUTH, 1886-1900 (PB)
INVISIBLE MEN (HB)
RACE CAPITALISM JUSTICE (PB)
SONGS OF SLAVERY AND EMANCIPATION
SONGS OF SLAVERY AND EMANCIPATION (HB)
THE MEANING OF FREEDOM (PB)
THE OTHER SPECIAL RELATIONSHIP
THE OTHER SPECIAL RELATIONSHIP (HB)
THE OTHER SPECIAL RELATIONSHIP (PB)
THELONIOUS MONK
THELONIOUS MONK
THREE STRIKES (PB)
TO MAKE OUR WORLD ANEW (HB)
TO MAKE OUR WORLD ANEW: VOLUME I (PB)
TO MAKE OUR WORLD ANEW: VOLUME II (PB)
WHY HAITI NEEDS NEW NARRATIVES (HB)
WHY HAITI NEEDS NEW NARRATIVES (PB)

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