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Item Details
Title:
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THE IMAGE OF THE BLACK IN WESTERN ART
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Volume: |
v. IV |
By: |
David Bindman (Editor), Henry Louis Gates (Editor), Karen C. C. Dalton |
Format: |
Hardback |
List price:
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£88.95 |
Our price: |
£71.16 |
Discount: |
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You save:
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£17.79 |
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ISBN 10: |
0674052595 |
ISBN 13: |
9780674052598 |
Availability: |
Usually dispatched within 1-3 weeks.
Delivery
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Stock: |
Currently 0 available |
Publisher: |
HARVARD UNIVERSITY PRESS |
Pub. date: |
1 May, 2012 |
Edition: |
2nd New edition |
Pages: |
384 |
Description: |
Slaves and Liberators looks at the political implications of the representation of Africans, from the morality of slavery, through abolitionism, to European imperialism in Africa. Popular imagery and great works, like Turner's Slave Ship, cast light on widely differing European responses to Africans and their descendants. |
Synopsis: |
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector's items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones. "Slaves and Liberators" looks at the political implications of the representation of Africans, from the earliest discussions of the morality of slavery, through the rise of abolitionism, to the imposition of European imperialism on Africa. Popular imagery and great works, like Gericault's "Raft of the Medusa" and Turner's "Slave Ship", are considered in depth, casting light on widely differing European responses to Africans and their descendants. |
Illustrations: |
160 color illustrations, 43 halftones |
Publication: |
US |
Imprint: |
The Belknap Press |
Returns: |
Returnable |
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