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Item Details
Title: MENDELSSOHN AND HIS WORLD
By: R. Larry Todd (Editor)
Format: Paperback

List price: £65.00
Our price: £52.00
Discount:
20% off
You save: £13.00
ISBN 10: 0691027153
ISBN 13: 9780691027159
Availability: Usually dispatched within 1-3 weeks.
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Publisher: PRINCETON UNIVERSITY PRESS
Pub. date: 24 July, 1991
Series: The Bard Music Festival
Pages: 428
Description: During the 1830s and 1840s composer-pianist-organist-conductor Felix Mendelssohn-Bartholdy stood at the forefront of German and English musical life. This title explores various facets of Mendelssohn's music, his social and intellectual circles, and his career.
Synopsis: During the 1830s and 1840s the remarkably versatile composer-pianist-organist-conductor Felix Mendelssohn-Bartholdy stood at the forefront of German and English musical life. Bringing together previously unpublished essays by historians and musicologists, reflections on Mendelssohn written by his contemporaries, the composer's own letters, and early critical reviews of his music, this volume explores various facets of Mendelssohn's music, his social and intellectual circles, and his career. The essays in Part I cover the nature of a Jewish identity in Mendelssohn's music (Leon Botstein); his relationship to the Berlin Singakademie (William A. Little); the role of his sister Fanny Hensel, herself a child prodigy and accomplished composer (Nancy Reich); Mendelssohn's compositional craft in the Italian Symphony and selected concert overtures (Claudio Spies); his oratorio Elijah (Martin Staehelin); his incidental music to Sophocles' Antigone (Michael P. Steinberg); his anthem "Why, O Lord, delay forever?" (David Brodbeck); and an unfinished piano sonata (R. Larry Todd). Part II presents little-known memoirs by such contemporaries as J. C. Lobe, A. B. Marx, Julius Schubring, C. E.Horsley, Max Mller, and Betty Pistor. Mendelssohn's letters are represented in Part III by his correspondence with Wilhelm von Boguslawski and Aloys Fuchs, here translated for the first time. Part IV contains late nineteenth-century critical reviews by Heinrich Heine, Franz Brendel, Friedrich Niecks, Otto Jahn, and Hans von Blow.
Publication: US
Imprint: Princeton University Press
Prizes: Short-listed for Choice's Outstanding Academic Books 1992 (United States)
Returns: Returnable
Some other items by this author:
BEETHOVEN'S CELLO: FIVE REVOLUTIONARY SONATAS AND THEIR WORLD (HB)
DISCOVERING MUSIC
FANNY HENSEL (HB)
FANNY HENSEL (PB)
FANNY MENDELSSOHN HENSEL (PB)
MENDELSSOHN (PB)
MENDELSSOHN AND HIS WORLD
MENDELSSOHN AND SCHUMANN (HB)
MENDELSSOHN ESSAYS
MENDELSSOHN ESSAYS
MENDELSSOHN ESSAYS
MENDELSSOHN ESSAYS
MENDELSSOHN ESSAYS
MENDELSSOHN ESSAYS (HB)
MENDELSSOHN ESSAYS (PB)
MENDELSSOHN STUDIES (HB)
MENDELSSOHN STUDIES (PB)
MENDELSSOHN''S MUSICAL EDUCATION (HB)
MENDELSSOHN'S MUSICAL EDUCATION (PB)
MENDELSSOHN: THE HEBRIDES AND OTHER OVERTURES
MENDELSSOHN: THE HEBRIDES AND OTHER OVERTURES (HB)
MENDELSSOHN: THE HEBRIDES AND OTHER OVERTURES (PB)
NINETEENTH-CENTURY PIANO MUSIC
NINETEENTH-CENTURY PIANO MUSIC
NINETEENTH-CENTURY PIANO MUSIC
NINETEENTH-CENTURY PIANO MUSIC (HB)
NINETEENTH-CENTURY PIANO MUSIC (PB)
PERSPECTIVES ON MOZART PERFORMANCE (PB)
SCHUMANN AND HIS WORLD
SCHUMANN AND HIS WORLD (HB)
SCHUMANN AND HIS WORLD (PB)

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