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Item Details
Title: AN ACCENTED CINEMA
EXILIC AND DIASPORIC FILMMAKING
By: Hamid Naficy
Format: Paperback

List price: £42.00
Our price: £33.60
Discount:
20% off
You save: £8.40
ISBN 10: 0691043914
ISBN 13: 9780691043913
Availability: Usually dispatched within 1-3 weeks.
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Publisher: PRINCETON UNIVERSITY PRESS
Pub. date: 9 April, 2001
Pages: 392
Description: Offers an overview of the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. This book offers global coverage of the genre of Accented cinema while presenting a framework in which to understand its intricacies.
Synopsis: In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.
Illustrations: 35 halftones
Publication: US
Imprint: Princeton University Press
Returns: Returnable
Some other items by this author:
A SOCIAL HISTORY OF IRANIAN CINEMA, VOLUME 1 (HB)
A SOCIAL HISTORY OF IRANIAN CINEMA, VOLUME 1 (PB)
A SOCIAL HISTORY OF IRANIAN CINEMA, VOLUME 2 (HB)
A SOCIAL HISTORY OF IRANIAN CINEMA, VOLUME 2 (PB)
A SOCIAL HISTORY OF IRANIAN CINEMA, VOLUME 3 (HB)
A SOCIAL HISTORY OF IRANIAN CINEMA, VOLUME 3 (PB)
A SOCIAL HISTORY OF IRANIAN CINEMA, VOLUME 4 (HB)
A SOCIAL HISTORY OF IRANIAN CINEMA, VOLUME 4 (PB)
DISCOURSE OF THE OTHER (PB)
HOME, EXILE, HOMELAND
HOME, EXILE, HOMELAND
HOME, EXILE, HOMELAND
HOME, EXILE, HOMELAND
HOME, EXILE, HOMELAND
HOME, EXILE, HOMELAND
HOME, EXILE, HOMELAND (HB)
HOME, EXILE, HOMELAND (PB)
IRAN MEDIA INDEX (HB)
MITRA TABRIZIAN (HB)
OTHERNESS AND THE MEDIA
OTHERNESS AND THE MEDIA
OTHERNESS AND THE MEDIA
OTHERNESS AND THE MEDIA (HB)
THE MAKING OF EXILE CULTURES (HB)
THE MAKING OF EXILE CULTURES (PB)


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