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Item Details
Title: BLACK RIDERS
VISIBLE LANGUAGE OF MODERNISM
By: Jerome J. McGann
Format: Hardback

List price: £33.50


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ISBN 10: 0691069859
ISBN 13: 9780691069852
Publisher: PRINCETON UNIVERSITY PRESS
Pub. date: 6 June, 1993
Pages: 216
Description: This study demonstrates the degree to which modernist styles of writing are related to graphic and typographic design. It sketches the relation of modernist writing to key developments in book design, and demonstrates the interest of the postmodernists in the "visible language" of modernism.
Synopsis: "English literature," Yeats once noted, "has all but completely shaped itself in the printing press." Finding this true particularly of modernist writing, Jerome McGann demonstrates the extraordinary degree to which modernist styles are related to graphic and typographic design, to printed letters--"black riders" on a blank page--that create language for the eye. He sketches the relation of modernist writing to key developments in book design, beginning with the nineteenth-century renaissance of printing, and demonstrates the continued interest of postmodern writers in the "visible language" of modernism. McGann then offers a philosophical investigation into the relation of knowledge and truth to this kind of imaginative writing.Exploring the work of writers like William Morris, Emily Dickinson, W. B. Yeats, Ezra Pound, and Gertrude Stein, as well as Laura Riding and Bob Brown, he shows how each exploits the visibilities of language, often by aligning their work with older traditions of so-called Adamic language. McGann argues that in modernist writing, philosophical nominalism emerges as a key aesthetic point of departure. Such writing thus develops a pragmatic and performative "answer to Plato" in the matter of poetry's relation to truth and philosophy.
Illustrations: 35 halftones
Publication: US
Imprint: Princeton University Press
Returns: Non-returnable
Some other items by this author:
A CRITIQUE OF MODERN TEXTUAL CRITICISM (PB)
A NEW REPUBLIC OF LETTERS (HB)
BLACK RIDERS (PB)
BYRON AND ROMANTICISM (HB)
BYRON AND ROMANTICISM (PB)
BYRON AND WORDSWORTH (PB)
COLLECTED POETRY AND PROSE (PB)
LAETITIA ELIZABETH LANDON (PB)
LORD BYRON - THE MAJOR WORKS (PB)
MAJOR POEMS AND SELECTED PROSE (PB)
RADIANT TEXTUALITY (HB)
SELECTED POETRY (PB)
SOCIAL VALUES AND POETIC ACTS
SOCIAL VALUES AND POETIC ACTS (HB)
THE BEAUTY OF INFLECTIONS (PB)
THE COMPLETE POETICAL WORKS: VOLUME 1 (HB)
THE COMPLETE POETICAL WORKS: VOLUME 2 (HB)
THE COMPLETE POETICAL WORKS: VOLUME 3 (HB)
THE COMPLETE POETICAL WORKS: VOLUME 3 (PB)
THE COMPLETE POETICAL WORKS: VOLUME 4 (HB)
THE COMPLETE POETICAL WORKS: VOLUME 5: DON JUAN (HB)
THE COMPLETE POETICAL WORKS: VOLUME 6 (HB)
THE COMPLETE POETICAL WORKS: VOLUME 7 (HB)
THE POETICS OF SENSIBILITY (PB)
THE POINT IS TO CHANGE IT (HB)
THE POINT IS TO CHANGE IT (PB)
THE SCHOLAR'S ART (HB)
THE SCHOLAR'S ART (PB)
THE TEXTUAL CONDITION (HB)
THE TEXTUAL CONDITION (PB)
TOWARDS A LITERATURE OF KNOWLEDGE (HB)
VICTORIAN CONNECTIONS (PB)
VICTORIAN CONNECTIONS (PB)

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