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Item Details
Title: THE ROBERT LEHMAN COLLECTION AT THE METROPOLITAN MUSEUM OF ART, VOLUME IX
NINETEENTH- AND TWENTIETH-CENTURY EUROPEAN DRAWINGS
By: Richard R. Brettell, Francoise Forster-Hahn, Duncan Robinson
Format: Hardback

List price: £92.00


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ISBN 10: 0691114153
ISBN 13: 9780691114156
Publisher: PRINCETON UNIVERSITY PRESS
Pub. date: 6 January, 2003
Pages: 480
Description: Robert Lehman was a member of the first generation of American collectors to embrace what we call modern art. This illustrated volume catalogues 207 nineteenth- and twentieth-century European drawings that are part of the "Robert Lehman Collection at The Metropolitan Museum of Art". It features a bibliography and an index.
Synopsis: Robert Lehman was a member of the first generation of American collectors to embrace what we call modern art. This lavishly illustrated volume catalogues 207 nineteenth- and twentieth-century European drawings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. More than three-quarters of these drawings are French, but there are also sheets from Italy, Spain, Germany, the Netherlands, and Great Britain. Most are from the nineteenth century, but Robert Lehman also acquired, in some cases from the artists themselves, a number of drawings made during his own lifetime. The catalogue begins with drawings by David and Goya, the two most important artists in Europe at the turn of the nineteenth century, and it concludes with a group of watercolors made in the 1940s by the painter Marcel Vertes. Among the French drawings are outstanding sheets by David, Delacroix, Ingres, Chasseriau, Corot, and Daumier. Drawings by Renoir, Morisot, Sisley, Pissarro, and Degas represent the Impressionists, and Robert Lehman also assembled one of the finest private collections of Neo-Impressionist drawings, including canonical works by Seurat, Signac, Cross, and Pissarro. Entries by four specialists elucidate various aspects of the drawings. The volume features an extensive bibliography and an index.
Illustrations: 122 color plates. 324 halftones.
Publication: US
Imprint: Princeton University Press
Returns: Returnable
Some other items by this author:
ACQUISITIONS (PB)
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FAIREST ISLE (PB)
FRENCH IMPRESSIONISTS (HB)
FRENCH SALON ARTISTS, 1800-1900 (HB)
FROM THE PRIVATE COLLECTIONS OF TEXAS (HB)
GAUGUIN AND IMPRESSIONISM (PB)
GREAT FRENCH PAINTINGS FROM THE CLARK (HB)
IMPRESSION (PB)
IMPRESSIONISM AND POST-IMPRESSIONISM AT THE DALLAS MUSEUM OF ART (PB)
JAMES MAGEE (HB)
MAN AND MEASURE (HB)
MAN AND MEASURE (PB)
MAX BECKMANN IN KALIFORNIEN: EXIL, ERINNERUNG UND ERNEUERUNG
MAX LIEBERMANN AND INTERNATIONAL MODERNISM (PB)
MODERN ART 1851-1929 (PB)
MONET AND THE SEINE (PB)
MONET IN NORMANDY (HB)
MONET TO MOORE (HB)
NINETEENTH-CENTURY ART IN THE NORTON SIMON MUSEUM (HB)
ON MODERN BEAUTY (HB)
PAINTING AT THE EDGE OF THE WORLD (HB)
PAUL MELLON, A CAMBRIDGE TRIBUTE (HB)
PISSARO (HB)
PISSARRO'S PEOPLE (HB)
STANLEY SPENCER (HB)
STANLEY SPENCER (PB)
THE RISE OF LANDSCAPE PAINTING IN FRANCE (HB)
THE ROBERT LEHMAN COLLECTION AT THE METROPOLITAN MUSEUM OF ART, VOLUME III (HB)
THE SYMBOLISM OF PAUL GAUGUIN (HB)
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