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Item Details
Title: INVISIBLE LISTENERS
LYRIC INTIMACY IN HERBERT, WHITMAN, AND ASHBERY
By: Helen Vendler
Format: Hardback

List price: £22.95


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ISBN 10: 0691116180
ISBN 13: 9780691116181
Publisher: PRINCETON UNIVERSITY PRESS
Pub. date: 22 August, 2005
Pages: 112
Description: What impels poets to leap across time and space to speak to invisible listeners, seeking an ideal intimacy? This book argues that such poets must invent the language that will enact, on the page, an intimacy they lack in life. It offers readings of three poets over three centuries, and maps out their relationships with their chosen listeners.
Synopsis: When a poet addresses a living person--whether friend or enemy, lover or sister--we recognize the expression of intimacy. But what impels poets to leap across time and space to speak to invisible listeners, seeking an ideal intimacy--George Herbert with God, Walt Whitman with a reader in the future, John Ashbery with the Renaissance painter Francesco Parmigianino? In Invisible Listeners, Helen Vendler argues that such poets must invent the language that will enact, on the page, an intimacy they lack in life. Through brilliantly insightful and gracefully written readings of these three great poets over three different centuries, Vendler maps out their relationships with their chosen listeners. For his part, Herbert revises the usual "vertical" address to God in favor of a "horizontal" one-addressing God as a friend. Whitman hovers in a sometimes erotic, sometimes quasi-religious language in conceiving the democratic camerado, who will, following Whitman's example, find his true self. And yet the camerado will be replaced, in Whitman's verse, by the ultimate invisible listener, Death.Ashbery, seeking a fellow artist who believes that art always distorts what it represents, finds he must travel to the remote past. In tones both tender and skeptical he addresses Parmigianino, whose extraordinary self-portrait in a convex mirror furnishes the poet with both a theory and a precedent for his own inventions. By creating the forms and speech of ideal intimacy, these poets set forth the possibility of a more complete and satisfactory human interchange--an ethics of relation that is uncoerced, understanding, and free.
Publication: US
Imprint: Princeton University Press
Returns: Non-returnable
Some other items by this author:
COMING OF AGE AS A POET (PB)
DICKINSON (HB)
DICKINSON (PB)
FABER BOOK OF CONTEMPORARY AMERICAN POET (PB)
IMAGINATION AND LOGOS (HB)
INVISIBLE LISTENERS
INVISIBLE LISTENERS (PB)
LAST LOOKS, LAST BOOKS
LAST LOOKS, LAST BOOKS (HB)
LIBERTIES JOURNAL OF CULTURE AND POLITICS
ON EXTENDED WINGS (PB)
OUR SECRET DISCIPLINE (COBEE) (HB)
OUR SECRET DISCIPLINE (HB)
PART OF NATURE, PART OF US (PB)
POETRY OF GEORGE HERBERT (HB)
POETS THINKING (PB)
SEAMUS HEANEY (TEXT ONLY)
SONNETS AND NARRATIVE POEMS (HB)
SOUL SAYS (PB)
THE ANTHOLOGY OF CONTEMPORARY AMERICAN POETRY (PB)
THE ART OF SHAKESPEARE'S SONNETS (PB)
THE BREAKING OF STYLE (PB)
THE COMPLETE POEMS OF A. R. AMMONS (HB)
THE COMPLETE POEMS OF A. R. AMMONS (HB)
THE MUSIC OF WHAT HAPPENS (PB)
THE OCEAN, THE BIRD, AND THE SCHOLAR
THE OCEAN, THE BIRD, AND THE SCHOLAR (HB)
THE ODES OF JOHN KEATS (PB)
THE POETRY OF GEORGE HERBERT
WALLACE STEVENS (PB)


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