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Item Details
Title: ESSAYS ON THE PERFORMANCE OF BAROQUE MUSIC
OPERA AND CHAMBER MUSIC IN FRANCE AND ENGLAND
By: professor Mary Cyr
Format: Hardback

List price: £145.00
Our price: £140.65
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ISBN 10: 0754659267
ISBN 13: 9780754659266
Availability: Usually dispatched within 1-3 weeks.
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Publisher: TAYLOR & FRANCIS LTD
Pub. date: 28 May, 2008
Series: Variorum Collected Studies Series
Pages: 344
Description: Using composers' own notations, marks added by 18th-century performers, historical treatises, and pictorial evidence, this work investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin. It also deals with the discovery of a cantata by Rameau.
Synopsis: In this collection of essays Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the 17th and early 18th centuries. Using composers' own notations, marks added by 18th-century performers, historical treatises, and pictorial evidence, she investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin. Some of the performance conventions remain controversial, such as the use of gesture by the French opera chorus, and others are still little-known, such as the use of the double bass for rhythmic and harmonic support in early 18th-century French opera. As many of these essays demonstrate, French Baroque music allowed performers a wider latitude of nuance and expression than is often assumed today. The essays in this volume will be of particular interest to scholars and performers who are interested in adopting a historically-informed approach to performing music by Henry Purcell, A%olisabeth-Claude Jacquet de La Guerre, Jean-Philippe Rameau, and their contemporaries.Several studies also deal with attributions, sources, and the discovery of a cantata by Rameau.
Illustrations: Includes 55 b&w illustrations and 75 music examples
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
Some other items by this author:
BAROQUE MUSIC (HB)
CLASSICAL AND ROMANTIC MUSIC (HB)
MEDIEVAL MUSIC (HB)
PERFORMING BAROQUE MUSIC
PERFORMING BAROQUE MUSIC
PERFORMING BAROQUE MUSIC
PERFORMING BAROQUE MUSIC (HB)
PERFORMING BAROQUE MUSIC (PB)
PERFORMING BAROQUE MUSIC (PB)
RENAISSANCE MUSIC (HB)
STYLE AND PERFORMANCE FOR BOWED STRING INSTRUMENTS IN FRENCH BAROQUE MUSIC
STYLE AND PERFORMANCE FOR BOWED STRING INSTRUMENTS IN FRENCH BAROQUE MUSIC
STYLE AND PERFORMANCE FOR BOWED STRING INSTRUMENTS IN FRENCH BAROQUE MUSIC
STYLE AND PERFORMANCE FOR BOWED STRING INSTRUMENTS IN FRENCH BAROQUE MUSIC
STYLE AND PERFORMANCE FOR BOWED STRING INSTRUMENTS IN FRENCH BAROQUE MUSIC
STYLE AND PERFORMANCE FOR BOWED STRING INSTRUMENTS IN FRENCH BAROQUE MUSIC (HB)
STYLE AND PERFORMANCE FOR BOWED STRING INSTRUMENTS IN FRENCH BAROQUE MUSIC (PB)
THE LIBRARY OF ESSAYS ON MUSIC PERFORMANCE PRACTICE (HB)

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