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Item Details
Title: THE CROSSING OF THE VISIBLE
By: Jean-Luc Marion, James K. A. Smith (Trans)
Format: Hardback

List price: £85.00
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ISBN 10: 0804733910
ISBN 13: 9780804733915
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Publisher: STANFORD UNIVERSITY PRESS
Pub. date: 18 December, 2003
Series: Cultural Memory in the Present
Pages: 120
Description: Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the 'nihilism' of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts which opens them to the invisible.
Synopsis: Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility-of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance-or what Marion describes as "phenomenality" in general.In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting-from classical to contemporary-as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the "nihilism" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.
Publication: US
Imprint: Stanford University Press
Returns: Non-returnable
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