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Item Details
Title: AGAINST VOLUPTUOUS BODIES
LATE MODERNISM AND THE MEANING OF PAINTING
By: J. M. Bernstein
Format: Hardback

List price: £125.00
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ISBN 10: 0804748942
ISBN 13: 9780804748940
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Publisher: STANFORD UNIVERSITY PRESS
Pub. date: 12 January, 2006
Series: Cultural Memory in the Present
Pages: 416
Description: The aim of this book is to provide an account of modernist painting-from Pollock to Ryman-that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno.
Synopsis: The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.
Publication: US
Imprint: Stanford University Press
Returns: Non-returnable
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