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Item Details
Title: HOW PICTURES COMPLETE US
THE BEAUTIFUL, THE SUBLIME, AND THE DIVINE
By: Paul Crowther
Format: Paperback

List price: £19.99


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 080479846X
ISBN 13: 9780804798464
Publisher: STANFORD UNIVERSITY PRESS
Pub. date: 13 April, 2016
Pages: 192
Description: The book shows how pictorial art conveys aesthetic transcendence?a felt, though symbolic experience of going beyond our finite limitations that sometimes involves a sense of communing with God
Synopsis: Despite the wonders of the digital world, people still go in record numbers to view drawings and paintings in galleries. Why? What is the magic that pictures work on us? This book provides a provocative explanation, arguing that some pictures have special kinds of beauty and sublimity that offer aesthetic transcendence. They take us imaginatively beyond our finite limits and even invoke a sense of the divine. Such aesthetic transcendence forges a relationship with the ultimate and completes us psychologically. Philosophers and theologians sometimes account for this as an effect of art, but How Pictures Complete Us distinguishes itself by revealing how this experience is embodied in pictorial structures and styles. Through detailed discussions of artworks from the Renaissance through postmodern times, Paul Crowther reappraises the entire scope of beauty and the sublime in the context of both representational and abstract art, offering unexpected insights into familiar phenomena such as ideal beauty, pictorial perspective, and what pictures are in the first place.
Publication: US
Imprint: Stanford University Press
Returns: Returnable
Some other items by this author:
AESTHETICS OF SELF-BECOMING
AESTHETICS OF SELF-BECOMING (HB)
AESTHETICS, IMAGINATION AND THE UNITY OF EXPERIENCE (HB)
ART AND EMBODIMENT (HB)
ART AND EMBODIMENT (PB)
CONCISE GUIDE TO DATABASES
CONCISE GUIDE TO DATABASES (PB)
CRITICAL AESTHETICS AND POSTMODERNISM (PB)
DEFINING ART, CREATING THE CANON (HB)
DEFINING ART, CREATING THE CANON (PB)
DIGITAL ART, AESTHETIC CREATION
DIGITAL ART, AESTHETIC CREATION (HB)
GENESES OF POSTMODERN ART
GENESES OF POSTMODERN ART (HB)
HOW PICTURES COMPLETE US (HB)
MASSIVE STARS AS COSMIC ENGINES (IAU S250) (HB)
MEANINGS OF ABSTRACT ART
MEANINGS OF ABSTRACT ART
MEANINGS OF ABSTRACT ART
MEANINGS OF ABSTRACT ART (HB)
MEANINGS OF ABSTRACT ART (PB)
PHENOMENOLOGIES OF ART AND VISION
PHENOMENOLOGIES OF ART AND VISION
PHENOMENOLOGIES OF ART AND VISION (HB)
PHENOMENOLOGIES OF ART AND VISION (PB)
PHENOMENOLOGY OF AESTHETIC CONSCIOUSNESS AND PHANTASY
PHENOMENOLOGY OF AESTHETIC CONSCIOUSNESS AND PHANTASY (HB)
PHENOMENOLOGY OF THE VISUAL ARTS (EVEN THE FRAME) (HB)
PHENOMENOLOGY OF THE VISUAL ARTS (EVEN THE FRAME) (PB)
PHILOSOPHY AFTER POSTMODERNISM
PHILOSOPHY AFTER POSTMODERNISM
PHILOSOPHY AFTER POSTMODERNISM
PHILOSOPHY AFTER POSTMODERNISM
PHILOSOPHY AFTER POSTMODERNISM
PHILOSOPHY AFTER POSTMODERNISM (HB)
PHILOSOPHY AFTER POSTMODERNISM (PB)
THE KANTIAN AESTHETIC (HB)
THE KANTIAN AESTHETIC (PB)
THE KANTIAN SUBLIME (PB)
THE LANGUAGE OF TWENTIETH-CENTURY ART (HB)
THE PHENOMENOLOGY OF MODERN ART
THE PHENOMENOLOGY OF MODERN ART (HB)
THE PHENOMENOLOGY OF MODERN ART (PB)
THE TRANSHISTORICAL IMAGE (HB)
THE TRANSHISTORICAL IMAGE (PB)
THEORY OF THE ART OBJECT
THEORY OF THE ART OBJECT (HB)
WHAT DRAWING AND PAINTING REALLY MEAN
WHAT DRAWING AND PAINTING REALLY MEAN
WHAT DRAWING AND PAINTING REALLY MEAN
WHAT DRAWING AND PAINTING REALLY MEAN (HB)

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