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Item Details
Title: MEL GIBSON'S PASSION AND PHILOSOPHY
THE CROSS, THE QUESTIONS, THE CONTROVERSSY
By: Jorge J. E. Gracia, William Irwin (Editor)
Format: Paperback

List price: £12.99
Our price: £10.72
Discount:
17.5% off
You save: £2.27
ISBN 10: 0812695712
ISBN 13: 9780812695717
Availability: Reprinting. This item may be subject to delays or cancellation.
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Stock: Currently 0 available
Publisher: OPEN COURT PUBLISHING CO ,U.S.
Pub. date: 12 October, 2004
Series: Popular Culture and Philosophy 10
Pages: 225
Description: The Passion of the Christ, Mel Gibson's spectacular film about the death of Jesus, has quickly become one of the most widely-viewed movies of all time? and one of the most fiercely vilified. It is more loved and simultaneously more loathed than any previous work of cinematographic art.Some maintain that this film has brought them to a new faith in Christ or a deeper understanding of the faith they already had. Others criticize the work for its supposedly gratuitous gore, alleged historical inaccuracy, or its debatable theological assumptions.In Mel Gibson's Passion and Philosophy, twenty philosophers with widely varying religious and philosophical backgrounds examine all the most important issues raised by the movie, without ridicule or rancor. How can we decide what God intended to tell us? Why do Christians and Jews apparently report seeing two very different Mel Gibson movies? Was Christ a pacifist? Does the film truly follow the gospels? How can we blame Judas for doing what God wanted him to do? Did George Hegel answer Mel Gibson 200 years ahead of time?
Synopsis: Mel Gibson's The Passion of the Christ has become one of the most controversial films ever made, and it is already a blockbuster of cinematography. Its defenders passionately regard it as one of the most moving and influential pieces of religious art ever created. But its detractors argue with comparable vehemence that the violence and gore it contains, its alleged anti-Semitism, a particular take on the Christian message, and the lack of historical and Biblical accuracy, make it nothing more than a kind of political propaganda. Father Thomas Rosica hailed as one of the great masterpieces of religious art, but the secular humanist Paul Kurtz thinks of it as a political weapon in the hands of the religious right. Film critics are divided in their judgment, giving the film anywhere from no stars to five stars. Regardless of what one thinks of the film, however, its impact both personal and social is beyond question.
Publication: US
Imprint: Open Court Publishing Co ,U.S.
Returns: Returnable
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