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Item Details
Title: JOYCE AND THE VICTORIANS
By: Tracey Teets Schwarze, Zack Bowen (Foreword)
Format: Hardback

List price: £60.00


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ISBN 10: 0813024374
ISBN 13: 9780813024370
Publisher: UNIVERSITY PRESS OF FLORIDA
Pub. date: 14 February, 2002
Series: Florida James Joyce
Pages: 272
Description: This text examines the Victorian and Edwardian cultural contexts in Joyce's work. It argues he replicated contemporary behaviours, beliefs and attitudes in his work, but also grappled with whether modern consciousness can resist the ideological force of the culture that produces it.
Synopsis: Joyce and the Victorians excavates the heretofore largely unexplored territory of the late Victorian and Edwardian cultural contexts of Dubliners, Portrait, Ulysses, and Finnegans Wake. Ideologies and icons suffused turn-of-the-century Ireland and, Schwarze argues, Joyce replicated contemporary behaviors, beliefs, and attitudes in his work as carefully as he re-created the pubs and landmarks of his native Dublin. Schwarze also asserts that even as they expose and manifest the social forces at work on the individual, Joyce's short stories and novels also grapple with a fundamental modernist paradox: whether modern consciousness can effectively resist the ideological force of the culture that produces it. Examining discourses on "Irishness," spiritualism, middle-class masculinity, social reform, domesticity, hysteria, and the Woman Question, Schwarze argues that Joyce's characters continually reinscribe themselves with prevailing attitudes and influences and are never fully able to overcome the powerful influence of traditional Victorian authorities and ideologies. Instead, Joyce's narratives create only the potential for such supercession.They explore the pervasive influence of ideological structures on subjectivity and illuminate the fissures contained within the social discourse itself. Schwarze does not defend Joyce as the last Victorian; she recreates the late-Victorian and Edwardian ethos that underlies Joyce's fiction and suggests that Joyce himself, much like his characters, was simultaneously bound by and critical of the ideologies of his age.
Illustrations: notes, bibliography, index
Publication: US
Imprint: University Press of Florida
Returns: Returnable
Some other items by this author:
A READER'S GUIDE TO JOHN BARTH (HB)
ADVERTISING AND COMMODITY CULTURE IN JOYCE (HB)
BELY, JOYCE AND DUBLIN (HB)
BLOOM'S OLD SWEET SONG (HB)
CHAOS THEORY AND JAMES JOYCE'S EVERYMAN (HB)
DICTIONARY OF IRISH LITERATURE (HB)
DICTIONARY OF IRISH LITERATURE (HB)
GREEK AND HELLENIC CULTURE IN JOYCE (HB)
JAMES JOYCE AND POPULAR CULTURE (HB)
JAMES JOYCE AND TRIESTE (HB)
JAMES JOYCE'S FRAUDSTUFF (HB)
JOYCE AND HAGIOGRAPHY (HB)
JOYCE AND THE EARLY FREUDIANS (HB)
JOYCE AND THE JEWS (PB)
JOYCE AND THE SCENE OF MODERNITY (HB)
JOYCE BEYOND MARX (HB)
JOYCE THROUGH THE AGES (HB)
JOYCE'S "ULYSSES" AS NATIONAL EPIC (HB)
JOYCE'S COMIC PORTRAIT (HB)
JOYCE'S METAMORPHOSIS (HB)
JOYCE, JOYCEANS AND THE RHETORIC OF CITATION (HB)
JOYCEAN TEMPORALITIES (HB)
RITE OF PASSAGE IN THE NARRATIVES OF DANTE AND JOYCE (HB)
SCIENCE AND LITERATURE (HB)
THE DUBLIN HELIX (HB)
TWENTY-FIRST JOYCE (HB)
VOICES AND VALUES IN JOYCE'S "ULYSSES" (HB)

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