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Item Details
Title: BREATHLESS
JEAN-LUC GODARD, DIRECTOR
By: Dudley Andrew, Jean-Luc Godard
Format: Paperback

List price: £32.00
Our price: £28.80
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ISBN 10: 0813512530
ISBN 13: 9780813512532
Availability: Usually dispatched within 1-3 weeks.
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Publisher: RUTGERS UNIVERSITY PRESS
Pub. date: 1 January, 1988
Series: Rutgers Films in Print
Pages: 248
Description: In his introduction, Dudley Andrews illuminates the intertextual and cultural references of the film and the tensions within it between tradition and innovation. This volume also features the complete and accurate continuity script of the film, together with Truffaut's original screenplay.
Synopsis: The low-budget film ""Breathless"" came to be regarded as one of the major accomplishments of the French New Wave cinema of the early 60s. Jean-Luc Godard captured the spirit of a disillusioned generation and fashioned a style, which drew on the past, to parade that illusion. In his introduction, Dudley Andrews illuminates the intertextual and cultural references of the film and the tensions within it between tradition and innovation. This volume also features the complete and accurate continuity script of the film, together with Truffaut's original screenplay. Also included are an in-depth selection of reviews and criticism in French and Englsih; a brief biographical sketch of the director's life that covers the development of his career, as well as a filmography.
Illustrations: black & white illustrations
Publication: US
Imprint: Rutgers University Press
Returns: Returnable
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A COMPANION TO FRAN?OIS TRUFFAUT
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ANDRE BAZIN (PB)
ANDRE BAZIN (PB)
ANDRE BAZIN'S NEW MEDIA
ANDRE BAZIN'S NEW MEDIA (HB)
ANDRE BAZIN'S NEW MEDIA (PB)
CELL BIOLOGY, DEVELOPMENT AND MORPHOGENESIS (HB)
CINEMA (HB)
CINEMA (PB)
CONCEPTS IN FILM THEORY (PB)
DOCUMENTARY FILM CLASSICS (PB)
FREDRIC JAMESON AND FILM THEORY
FREDRIC JAMESON AND FILM THEORY (HB)
FRENCH CINEMA: A VERY SHORT INTRODUCTION
GODARD AND THE WORD (HB)
GODARD AND THE WORD (PB)
GODARD ON GODARD (PB)
HISTOIRE(S) DU CINEMA
HORROR FILM AND PSYCHOANALYSIS (HB)
IMAGE THEORY, IMAGE CULTURE AND CONTEMPORARY JAPAN (PB)
INSIDE SOVIET FILM SATIRE (PB)
INTERPRETING THE MOVING IMAGE (PB)
INTRODUCTION TO A TRUE HISTORY OF CINEMA AND TELEVISION (HB)
JOHN HUSTON'S FILMMAKING (PB)
JOKE ROBAARD: FOLDERS, SUITS, POCKETS, FILES, STOCKS (PB)
MELODRAMA AND ASIAN CINEMA (HB)
MELODRAMA AND ASIAN CINEMA (PB)
MISTS OF REGRET (HB)
MISTS OF REGRET (PB)
OPENING BAZIN (HB)
OPENING BAZIN (PB)
PHRASES
PHRASES (PB)
POPULAR FRONT PARIS AND THE POETICS OF CULTURE (PB)
PROJECTING ILLUSION (PB)
ROLAND BARTHES' CINEMA (HB)
ROLAND BARTHES' CINEMA (PB)
SANSHO DAYU (SANSHO THE BAILIFF) (PB)
SANSHO DAYU SANSHO THE BAILIFF
THE BRITISH DOCUMENTARY FILM MOVEMENT, 1926-1946 (HB)
THE CINEMA OF SATYAJIT RAY (HB)
THE CINEMA OF SATYAJIT RAY (PB)
THE GORGON'S GAZE (HB)
THE IMAGE IN DISPUTE (PB)
THE MAJOR FILM THEORIES (PB)
THE TASTE FOR BEAUTY (PB)
THEORIZING THE MOVING IMAGE (PB)
WHAT CINEMA IS (HB)
WHAT CINEMA IS (PB)
WHAT CINEMA IS!
WHAT CINEMA IS!
WHAT CINEMA IS!
WHAT CINEMA IS!
WHAT IS CINEMA? (PB)

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