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Item Details
Title:
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MODERN DANCE, NEGRO DANCE
RACE IN MOTION |
By: |
Susan Manning |
Format: |
Hardback |

List price:
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£62.00 |
We currently do not stock this item, please contact the publisher directly for
further information.
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ISBN 10: |
0816637369 |
ISBN 13: |
9780816637362 |
Publisher: |
UNIVERSITY OF MINNESOTA PRESS |
Pub. date: |
1 April, 2004 |
Pages: |
296 |
Description: |
Two traditionally divided strains of American dance, Modern Dance and Negro Dance, are linked through photographs, reviews, film, and oral history, resulting in a unique view of the history of American dance. |
Synopsis: |
At the New School for Social Research in 1931, the dance critic for the New York Times announced the arrival of modern dance, touting the "serious art" of such dancers as Mary Wigman, Martha Graham, and Doris Humphrey. Across town, Hemsley Winfield and Edna Guy were staging what they called "The First Negro Dance Recital in America," which Dance Magazine proclaimed "the beginnings of great and important choreographic creations." Yet never have the two parallel traditions converged in the annals of American dance in the twentieth century. Modern Dance, Negro Dance is the first book to bring together these two vibrant strains of American dance in the modern era. Susan Manning traces the paths of modern dance and Negro dance from their beginnings in the Depression to their ultimate transformations in the postwar years, from Helen Tamiris's and Ted Shawn's suites of Negro Spirituals to concerts sponsored by the Workers Dance League, from Graham's American Document to the debuts of Katherine Dunham and Pearl Primus, from Jose Limon's 1954 work The Traitor to Merce Cunningham's 1958 dances Summerspace and Antic Meet, to Ailey's 1960 masterpiece Revelations.Through photographs and reviews, documentary film and oral history, Manning intricately and inextricably links the two historically divided traditions. The result is a unique view of American dance history across the divisions of black and white, radical and liberal, gay and straight, performer and spectator, and into the multiple, interdependent meanings of bodies in motion. |
Publication: |
US |
Imprint: |
University of Minnesota Press |
Returns: |
Non-returnable |
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