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Item Details
Title: CATCHING HELL IN THE CITY OF ANGELS
LIFE AND MEANINGS OF BLACKNESS IN SOUTH CENTRAL LOS ANGELES
By: Joao H. Costa Vargas
Format: Hardback

List price: £50.00


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ISBN 10: 0816641684
ISBN 13: 9780816641680
Publisher: UNIVERSITY OF MINNESOTA PRESS
Pub. date: 1 June, 2006
Series: Critical American Studies
Pages: 304
Description: Examines the ways in which economic and social changes in the twentieth century have affected the black community, and conveys the experiences that bind and divide its people. This book tells the story of urban America through the lives of individuals from diverse, overlapping, and vibrant communities.
Synopsis: Since the 1980s, Los Angeles has become the most racially and economically divided city in the United States. In the poorest parts of South Central Los Angeles, buildings in disrepair - the legacy of racial unrest - are interspersed with well-kept houses, and the nights are punctuated with helicopters, sirens, and gunshots: the sound track of a rampant drug trade. Moving beyond stereotypes of South Central's predominantly African American residents, Joao H. Costa Vargas recounts his almost two years living in the district. Personal, critical, and disquieting, "Catching Hell in the City of Angels" examines the ways in which economic and social changes in the twentieth century have affected the black community, and powerfully conveys the experiences that bind and divide its people. Through compelling stories of South Central, including his own experience as an immigrant of color, Vargas presents portraits of four groups.He talks daily with women living in a low-income Watts apartment building; works with activists in a community organization against police brutality; interacts with former gang members trying to maintain a 1992 truce between the Bloods and the Crips; and listens to amateur jazz musicians who perform in a gentrified section of the neighborhood. In each case, he describes the worldviews and the definitions of "blackness" these people use to cope with oppression. Vargas finds, in turn, that blackness is a form of racial solidarity, a vehicle for the renewal of African American culture, and a political expression of revolutionary black nationalism. Vargas reveals that the social fault lines in South Central reflect both contemporary disparities and long-term struggles. In doing so, he shows both the recialized power that makes "blackness" a prized term of identity and the terrible price that African Americans have paid for this emphasis. Ultimately, "Catching Hell in the City of Angels" tells the story of urban America through the lives of individuals from diverse, overlapping, and vibrant communities. This book presents a gripping account of South Central Los Angeles from the inside.
Publication: US
Imprint: University of Minnesota Press
Returns: Returnable
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