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Item Details
| Title:
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VIEWING AFRICAN CINEMA IN THE TWENTY-FIRST CENTURY
ART FILMS AND THE NOLLYWOOD VIDEO REVOLUTION |
| By: |
Mahir Saul (Editor), Ralph A. Austen (Editor) |
| Format: |
Hardback |
| List price:
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£69.00 |
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We currently do not stock this item, please contact the publisher directly for
further information.
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| ISBN 10: |
0821419307 |
| ISBN 13: |
9780821419304 |
| Publisher: |
OHIO UNIVERSITY PRESS |
| Pub. date: |
12 October, 2010 |
| Pages: |
256 |
| Description: |
Offers a unique comparison of the two main African cinema modes: art cinema of contemporary Europe supported by the French film industry; and "Nollywood", mass-marketed films originating in southern Nigeria which now dominate African cinema. |
| Synopsis: |
African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These \u201cNollywood\u201d films, so named because many originate in southern Nigeria, are a thriving industry dominating the world of African cinema.Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a unique comparison of these two main African cinema modes. |
| Illustrations: |
illus. |
| Publication: |
US |
| Imprint: |
Ohio University Press |
| Returns: |
Non-returnable |
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