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Item Details
| Title:
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THE PIRATE'S FIANCEE
FEMINISM, READING, POSTMODERNISM |
| By: |
Meaghan Morris |
| Format: |
Paperback |
| List price:
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£19.99 |
| Our price: |
£17.99 |
| Discount: |
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| You save:
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£2.00 |
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| ISBN 10: |
0860919269 |
| ISBN 13: |
9780860919261 |
| Availability: |
Usually dispatched within 1-3 weeks.
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rates
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| Stock: |
Currently 0 available |
| Publisher: |
VERSO BOOKS |
| Pub. date: |
29 September, 1988 |
| Series: |
Questions for Feminism S. |
| Pages: |
304 |
| Synopsis: |
'Appropriation', 'bricolage', 'recording', 'scavenging' - a scenario of image piracy has provided the buzzwords of pop cultural theory for most of the 1980s. while programmes for political action in culture have increasingly taken the form of a romance of buccaneering, the more sedate theoretical disputes about postmodernism have begun to generate a myth that feminists, or even women, have so far said little or nothing about one of the most action-packed debates of the decade. Taking her title from a 1969 film by Nelly Kaplan, Meaghan Morris considers the implications for feminism of a politics which transforms the materials of culture. She also considers the implications for post-modernism and pop theory of recognising the extent to which they already represent a borrowing of feminist thought. In a collection of essays on subjects ranging from blockbuster cinema to art photography, from Foucault to Mary Daly, from Susan Sontag and Jean Baudrillard to Paul Hogan, she argues that a feminist practice of rewriting discourses should emerge from a political critique of the positioning of women, rather than a vague thematics of changing things. |
| Illustrations: |
illustrations |
| Publication: |
UK |
| Imprint: |
Verso Books |
| Returns: |
Returnable |
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