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Item Details
Title: ART AND AESTHETICS AFTER ADORNO
By: Jay M. Bernstein, Claudia Brodsky, Anthony J. Cascardi
Format: Paperback

List price: £12.95


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ISBN 10: 0982329423
ISBN 13: 9780982329429
Publisher: TOWNSEND CENTER FOR THE HUMANITIES
Pub. date: 1 October, 2010
Series: Townsend Papers in the Humanities 3
Pages: 160
Description: Theodor Adorno's "Aesthetic Theory (1970)" offers a critique of art and the aesthetics. But the cultural horizon of Adorno's "Aesthetic Theory" was the world of high modernism, and much has happened since then. Adorno's vision of aesthetics calls for reconsideration. This title features essays that addresses these questions.
Synopsis: Theodor Adorno's "Aesthetic Theory (1970)" offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century. It is coupled with ambitious claims about what aesthetic theory ought to be. But the cultural horizon of Adorno's "Aesthetic Theory" was the world of high modernism, and much has happened since then both in theory and in practice. Adorno's powerful vision of aesthetics calls for reconsideration in this light. Must his work be defended, updated, resisted, or simply left behind? This volume gathers new essays by leading philosophers, critics, and theorists writing in the wake of Adorno in order to address these questions. They hold in common a deep respect for the power of Adorno's aesthetic critique and a concern for the future of aesthetic theory in response to recent developments in aesthetics and its contexts.
Illustrations: black & white illustrations
Publication: US
Imprint: Townsend Center For The Humanities
Returns: Returnable
Some other items by this author:
ART AND AESTHETICS AFTER ADORNO (PB)
CERVANTES, LITERATURE AND THE DISCOURSE OF POLITICS (HB)
CERVANTES, LITERATURE AND THE DISCOURSE OF POLITICS (PB)
CONSEQUENCES OF ENLIGHTENMENT
CONSEQUENCES OF ENLIGHTENMENT (HB)
CONSEQUENCES OF ENLIGHTENMENT (PB)
DERRIDA AND AUTOBIOGRAPHY (PB)
FRANCISCO DE GOYA AND THE ART OF CRITIQUE (HB)
IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE (HB)
IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE (PB)
IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE (PB)
IN THE PLACE OF LANGUAGE
IN THE PLACE OF LANGUAGE
INTRODUCTION TO LITERARY HERMENEUTICS (HB)
INTRODUCTION TO LITERARY HERMENEUTICS (PB)
INVENTING AGENCY (HB)
INVENTING AGENCY (PB)
LITERATURE AND THE QUESTION OF PHILOSOPHY (PB)
MIKHAIL BAKHTIN (PB)
NIETZSCHE'S NEGATIVE ECOLOGIES (PB)
NIETZSCHE'S NEGATIVE ECOLOGIES (PB)
NOVELS BEHIND GLASS (HB)
PARATEXTS (HB)
PARATEXTS (PB)
PARODY (PB)
POIESIS AND MODERNITY IN THE OLD AND NEW WORLDS (HB)
POIESIS AND MODERNITY IN THE OLD AND NEW WORLDS (PB)
POSSIBLE WORLDS IN LITERARY THEORY (HB)
POSSIBLE WORLDS IN LITERARY THEORY (PB)
RECOVERING ETHICAL LIFE
RECOVERING ETHICAL LIFE
RECOVERING ETHICAL LIFE
RECOVERING ETHICAL LIFE (HB)
RECOVERING ETHICAL LIFE (PB)
RHETORIC AND CULTURE IN LACAN (PB)
RHETORIC, SOPHISTRY, PRAGMATISM (PB)
SUBJECT OF MODERNITY (HB)
THE BOUNDS OF REASON (HB)
THE CAMBRIDGE COMPANION TO CERVANTES (HB)
THE CAMBRIDGE COMPANION TO CERVANTES (PB)
THE CAMBRIDGE INTRODUCTION TO LITERATURE AND PHILOSOPHY (HB)
THE CAMBRIDGE INTRODUCTION TO LITERATURE AND PHILOSOPHY (PB)
THE FRANKFURT SCHOOL (HB)
THE LIMITS OF ILLUSION (HB)
THE LIMITS OF ILLUSION: A CRITICAL STUDY OF CALDERON
THE LIMITS OF ILLUSION: A CRITICAL STUDY OF CALDERON (PB)
THE SUBJECT OF MODERNITY
THE SUBJECT OF MODERNITY (PB)
THEORIES OF MIMESIS (PB)
THEORIZING THE AVANT-GARDE (HB)
THEORIZING THE AVANT-GARDE (PB)
WORDSWORTH, DIALOGICS AND THE PRACTICE OF CRITICISM (HB)

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