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Item Details
Title: REUVEN SHILOAH - THE MAN BEHIND THE MOSSAD
SECRET DIPLOMACY IN THE CREATION OF ISRAEL
By: Haggai Eshed
Format: Electronic book text

List price: £39.99


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ISBN 10: 1136314210
ISBN 13: 9781136314216
Publisher: TAYLOR & FRANCIS LTD
Pub. date: 4 May, 2012
Pages: 158
Synopsis: This book explores the web of pitch relations that generates the musical language of non-serialized twelve-tone music and supplies both the analytical materials and methods necessary for analyses of a vast proportion of the 20th century musical repertoire. It does so in a simple, clear, and systematic manner to promote an easily accessible and global understanding of this music. Since the chromatic scale is the primary source for the pitch materials of 20th-century music, common sub-collections of the various modes and interval cycles serve as the basis for their mutual transformation. It is precisely this peculiarity of the non-serialized twelve-tone system that allows for an array of pitch relations and modal techniques hitherto perceived difficult if not impossible to analyze. Susanni and Antokoletz present the principles, concepts, and materials employed for analysis using a unique theoretic-analytical approach to the new musical language. The book contains a large number of original analyses that explore a host of composers including Ives, Stravinsky, Bartok, Messiaen, Cage, Debussy, Copland, and many more, providing insight into the music of the tonal revolution of the twentieth century and contributing an important perspective to how music works in general.
Illustrations: 39 Halftones, black and white; 2 Tables, black and white; 41 Illustrations,
Publication: UK
Imprint: Routledge
Returns: Non-returnable
Some other items by this author:
A HISTORY OF TWENTIETH-CENTURY MUSIC IN A THEORETIC-ANALYTICAL CONTEXT
A HISTORY OF TWENTIETH-CENTURY MUSIC IN A THEORETIC-ANALYTICAL CONTEXT
A HISTORY OF TWENTIETH-CENTURY MUSIC IN A THEORETIC-ANALYTICAL CONTEXT
A HISTORY OF TWENTIETH-CENTURY MUSIC IN A THEORETIC-ANALYTICAL CONTEXT (HB)
A HISTORY OF TWENTIETH-CENTURY MUSIC IN A THEORETIC-ANALYTICAL CONTEXT (PB)
BARTOK PERSPECTIVES (HB)
BELA BARTOK
BELA BARTOK
BELA BARTOK
BELA BARTOK
BELA BARTOK
BELA BARTOK
BELA BARTOK (HB)
BELA BARTOK (HB)
BELA BARTOK (HB)
FROM MUSICAL FOLKLORE TO TWELVE TONE TECHNIQUE (HB)
MUSIC AND TWENTIETH-CENTURY TONALITY (HB)
MUSIC AND TWENTIETH-CENTURY TONALITY (PB)
MUSICAL SYMBOLISM IN THE OPERAS OF DEBUSSY AND BARTOK (HB)
MUSICAL SYMBOLISM IN THE OPERAS OF DEBUSSY AND BARTOK (PB)
RETHINKING DEBUSSY (HB)
RETHINKING DEBUSSY (PB)
REUVEN SHILOAH - THE MAN BEHIND THE MOSSAD
REUVEN SHILOAH - THE MAN BEHIND THE MOSSAD
REUVEN SHILOAH - THE MAN BEHIND THE MOSSAD
REUVEN SHILOAH - THE MAN BEHIND THE MOSSAD
REUVEN SHILOAH - THE MAN BEHIND THE MOSSAD
REUVEN SHILOAH - THE MAN BEHIND THE MOSSAD
REUVEN SHILOAH - THE MAN BEHIND THE MOSSAD
REUVEN SHILOAH - THE MAN BEHIND THE MOSSAD (HB)
REUVEN SHILOAH, THE MAN BEHIND THE MOSSAD (PB)
THE MUSIC OF BELA BARTOK (PB)
THE MUSICAL LANGUAGE OF THE TWENTIETH CENTURY (HB)

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