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Item Details
| Title:
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DANDYISM AND TRANSCULTURAL MODERNITY
THE DANDY, THE FLANEUR, AND THE TRANSLATOR IN 1930S SHANGHAI, TOKYO, AND PARIS |
| By: |
Peng Hsiao-yen |
| Format: |
Electronic book text |
| List price:
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£39.99 |
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We believe that this item is permanently unavailable, and so we cannot source
it.
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| ISBN 10: |
1136941703 |
| ISBN 13: |
9781136941702 |
| Publisher: |
TAYLOR & FRANCIS LTD |
| Pub. date: |
28 January, 2015 |
| Series: |
Academia Sinica on East Asia |
| Pages: |
264 |
| Description: |
Views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. This book contends that modernity is possible only on 'the transcultural site' - transcultural in the sense of breaking the divide between elite and popular, literary and non-literary, and inside and outside. |
| Synopsis: |
This book views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. The author contends that modernity is possible only on "the transcultural site"-transcultural in the sense of breaking the divide between past and present, elite and popular, national and regional, male and female, literary and non-literary, inside and outside. To illustrate the concept of transcultural modernity, three icons are highlighted on the transcultural site: the dandy, the flaneur, and the translator. Mere flaneurs and flaneurses simply float with the tide of heterogeneous information on the transcultural site, whereas the dandy/flaneur and the cultural translator, propellers of modernity, manage to bring about transformative creation. Their performance marks the essence of transcultural modernity: the self-consciousness of working on the threshold, always testing the limits of boundaries and tempted to go beyond them. To develop the concept of dandyism-the quintessence of transcultural modernity-the Neo-Sensation gender triad formed by the dandy, the modern girl, and the modern boy is laid out. Writers discussed include Liu Na'ou, a Shanghai dandy par excellence from Taiwan, Paul Morand, who looked upon Coco Chanel the female dandy as his perfect other self, and Yokomitsu Riichi, who developed the theory of Neo-Sensation from Kant's the-thing-in-itself. |
| Illustrations: |
8 Line drawings, black and white; 15 Halftones, black and white; 23 |
| Publication: |
UK |
| Imprint: |
Routledge |
| Returns: |
Non-returnable |
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