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Item Details
| Title:
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THEATRE/ECOLOGY/COGNITION
THEORIZING PERFORMER-OBJECT INTERACTION IN GROTOWSKI, KANTOR, AND MEYERHOLD |
| By: |
Teemu Paavolainen |
| Format: |
Electronic book text |
| List price:
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£69.00 |
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We believe that this item is permanently unavailable, and so we cannot source
it.
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| ISBN 10: |
1137277920 |
| ISBN 13: |
9781137277923 |
| Publisher: |
PALGRAVE MACMILLAN |
| Pub. date: |
24 December, 2012 |
| Series: |
Cognitive Studies in Literature and Performance |
| Description: |
How is performer-object interaction enacted and perceived in the theatre? How thereby are varieties of 'meaning' also enacted and perceived? Using cognitive theory and ecological ontology, Paavolainen investigates how the interplay of actors and objects affords a degree of enjoyment and understanding, whether or not the viewer speaks the language. |
| Synopsis: |
Theatrical meanings are enacted in onstage 'ecologies' of actors and objects irrespective of spoken language. Applying the concepts of affordances and image schemas to extensive analyses of Vsevolod Meyerhold's The Magnanimous Cuckold (1922), Jerzy Grotowski's Akropolis (1962-69), and Tadeusz Kantor's Let the Artists Die! (1985), Paavolainen also traces intriguing continuities from their cultural contexts, through the directors' philosophies, to international reviews and scholarship. Artificial divisions of mind over matter and subjects over objects are rejected for the ecological grounding of all cognition: understood as fundamentally embodied, embedded, extended, and enactive, mind also is ultimately performed in the world. |
| Illustrations: |
2 black & white tables, 12 black & white illustrations |
| Publication: |
UK |
| Imprint: |
Palgrave Macmillan |
| Returns: |
Non-returnable |
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