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Item Details
Title: NEGOTIATING SHAKESPEARE'S LANGUAGE IN ROMEO AND JULIET
READING STRATEGIES FROM CRITICISM, EDITING AND THE THEATRE
By: Lynette Hunter, Peter Lichtenfels
Format: Electronic book text

List price: £34.99


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 1317089294
ISBN 13: 9781317089292
Publisher: TAYLOR & FRANCIS LTD
Pub. date: 17 September, 2016
Series: Studies in Performance and Early Modern Drama
Pages: 254
Synopsis: Through exciting and unconventional approaches, including critical/historical, printing/publishing and performance studies, this study mines Shakespeare's Romeo and Juliet to produce new insights into the early modern family, the individual, and society in the context of early modern capitalism. Inspired by recent work in cultural materialism and the material book, it also foregrounds the ways in which the contexts and the text itself become available to the reader today. The opening material on critical/historical approaches focuses on the way that readers have frequently read and played the text to explore issues that cluster around the family, marriage, gender and sexuality. Chapter two, on the ways that actors today inhabit character and create behaviour, provides intertextual comment on acting in the early modern period, and the connections between acting and social behaviour that inform self-image and the performance of identity both then and now. The third chapter on printing/publishing approaches to the text offers a detective story about the differences between Quarto One and Quarto Two, that focuses on the curious appearance in Quarto Two of material related to the law at word, phrase, line and scene level. The next three chapters integrate a close study of the language of the play to negotiate its potential significance for the present in the areas of: Family, Marriage, Gender and Sexuality; Identity, Individualism and Humanism; and the Law, Religion and Medicine. Among the startling aspects of this book are that it: - takes the part of Juliet far more seriously than other criticism has tended to do, attributing to her agency and aspects of character that develop the part suddenly from girl to woman; - recognizes the way the play explores early modern identity, becoming a handbook for individualism and humanism in the private domestic setting of early capitalism; and - brings to light the least recognized element in the play at the moment, its demonstration of the emerging structures of state power, governance by law, the introduction of surveillance, detection and witness, and the formation of what we now call the 'subject'. The volume includes on DVD a scholarly edition with commentary of the text of Romeo & Juliet, which re-instates many of the original early modern versions of the play.
Publication: UK
Imprint: Routledge
Returns: Non-returnable
Some other items by this author:
CRITIQUES OF KNOWING
CRITIQUES OF KNOWING
CRITIQUES OF KNOWING
CRITIQUES OF KNOWING
CRITIQUES OF KNOWING (HB)
CRITIQUES OF KNOWING (PB)
DIFFERENCE AND COMMUNITY (HB)
DIFFERENCE AND COMMUNITY (PB)
DISUNIFIED AESTHETICS (HB)
DISUNIFIED AESTHETICS (PB)
FOOD, CULTURE AND COMMUNITY (PB)
G. K. CHESTERTON: EXPLORATIONS IN ALLEGORY (PB)
HUMANISM, CAPITALISM, AND RHETORIC IN EARLY MODERN ENGLAND (HB)
LITERARY VALUE/CULTURAL POWER (PB)
MAPPING LANDSCAPES FOR PERFORMANCE AS RESEARCH
MAPPING LANDSCAPES FOR PERFORMANCE AS RESEARCH (HB)
MEMORY DEVELOPMENT
MOVING AS WATER
MOVING AS WATER
MOVING AS WATER
MOVING AS WATER (HB)
MOVING AS WATER (PB)
NEGOTIATING SHAKESPEARE'S LANGUAGE IN "ROMEO AND JULIET" (HB)
NEGOTIATING SHAKESPEARE'S LANGUAGE IN ROMEO AND JULIET
NEGOTIATING SHAKESPEARE'S LANGUAGE IN ROMEO AND JULIET
NEGOTIATING SHAKESPEARE'S LANGUAGE IN ROMEO AND JULIET (PB)
PERFORMANCE, POLITICS AND ACTIVISM
PERFORMANCE, POLITICS AND ACTIVISM (HB)
PERFORMANCE, POLITICS AND ACTIVISM (PB)
POLITICS OF PRACTICE
POLITICS OF PRACTICE (HB)
READING SHAKESPEARE'S DRAMATIC LANGUAGE (PB)
RHETORICAL STANCE IN MODERN LITERATURE (PB)
ROMEO AND JULIET BY WILLIAM SHAKESPEARE (PB)
SENTIENT PERFORMATIVITIES OF EMBODIMENT
SENTIENT PERFORMATIVITIES OF EMBODIMENT (HB)
SHAKESPEARE LANGUAGE AND THE STAGE (HB)
TOWARDS A DEFINITION OF TOPOS (PB)

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