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Item Details
| Title:
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FRANCESCA WOODMAN AND THE KANTIAN SUBLIME
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| By: |
Claire Raymond |
| Format: |
Electronic book text |
| List price:
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£37.99 |
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We currently do not stock this item, please contact the publisher directly for
further information.
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| ISBN 10: |
1351566660 |
| ISBN 13: |
9781351566667 |
| Publisher: |
TAYLOR & FRANCIS LTD |
| Pub. date: |
5 July, 2017 |
| Pages: |
186 |
| Synopsis: |
In her feminist inquiry into aesthetics and the sublime, Claire Raymond reinterprets the work of the American photographer Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists beginning with nineteenth-century photographers Julia Margaret Cameron and Clementina, Viscountess Hawarden, Raymond compels a reconsideration of Woodman's achievement in light of the gender dynamics of the sublime. Raymond argues that Woodman's photographs of decrepit architecture allegorically depict the dissolution of the frame, a dissolution Derrida links to theories of the sublime in Kant's Critique of Judgement. Woodman's self-portraits, Raymond contends, test the parameters of the gaze, a reading that departs from the many analyses of Woodman's work that emphasize her dramatic biography. Woodman is here revealed as a conceptually sophisticated artist whose deployment of allegory and allusion engages a broader debate about Enlightenment aesthetics, and the sublime. |
| Publication: |
UK |
| Imprint: |
Routledge |
| Returns: |
Non-returnable |
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