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Item Details
| Title:
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RECLAIMING CRITICAL REMIX VIDEO
THE ROLE OF SAMPLING IN TRANSFORMATIVE WORKS |
| By: |
Owen Gallagher |
| Format: |
Electronic book text |
| List price:
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£40.99 |
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We currently do not stock this item, please contact the publisher directly for
further information.
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| ISBN 10: |
1351978071 |
| ISBN 13: |
9781351978071 |
| Publisher: |
TAYLOR & FRANCIS LTD |
| Pub. date: |
15 November, 2017 |
| Series: |
Routledge Research in Cultural and Media Studies |
| Pages: |
280 |
| Synopsis: |
Remix is now considered by many to be a form of derivative work, but such generalizations have resulted in numerous non-commercial remixes being wrongfully accused of copyright infringement. Gallagher argues, however, that remix is a fundamentally transformative practice. The assumption that cultural works should be considered a form of private property is called into question in the digital age; thus, he proposes an alternative system to balance the economic interests of cultural producers with the ability of the public to engage with a growing intellectual commons of cultural works. Multimodal analyses of both remixed and non-remixed intertextual work, with a particular focus on examples of critical remix video, fuel the discussion, synthesizing a number of investigative methods including semiotic, rhetorical and ideological analysis. |
| Illustrations: |
48 Halftones, black and white; 16 Tables, black and white; 48 |
| Publication: |
UK |
| Imprint: |
Routledge |
| Returns: |
Non-returnable |
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