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Item Details
Title: THE SOURCES OF BENEVENTAN CHANT
By: Professor Thomas Forrest Kelly
Format: Hardback

List price: £150.00
Our price: £145.50
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ISBN 10: 1409405303
ISBN 13: 9781409405306
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Publisher: TAYLOR & FRANCIS LTD
Pub. date: 28 October, 2011
Series: Variorum Collected Studies Series
Pages: 404
Description: Identifies and collects the surviving sources of an important repertory of early medieval music; this is the so-called Beneventan Chant, used in southern Italy in the early middle ages, before the adoption there of the now-universal music known as Gregorian chant.
Synopsis: The area whose capital was the southern Lombard city of Benevento developed a culture identified with the characteristic form of writing known as the Beneventan script, which was used throughout the area and was brought to perfection at the abbey of Montecassino in the late eleventh century. This repertory, along with other now-vanished or suppressed local varieties of music, give a far richer picture of the variety of musical practice in early medieval Europe than was formerly available. Thomas Forrest Kelly has identified and collected the surviving sources of an important repertory of early medieval music; this is the so-called Beneventan Chant, used in southern Italy in the early middle ages, before the adoption there of the now-universal music known as Gregorian chant. Because it was deliberately suppressed in the course of the eleventh century, this music survives mostly in fragments and palimpsests, and the fascinating process of restoring the repertory piece by piece is told in the studies in this book. A companion volume to this collection also by Professor Kelly details the practice of Medieval music.
Illustrations: Includes 35 b&w illustrations and 15 music examples
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
Some other items by this author:
AMBROSIANA AT HARVARD (PB)
ARS ANTIQUA (HB)
ARS NOVA (HB)
BENEVENTAN CHANT (HB)
CAMBRIDGE HISTORY OF MEDIEVAL MUSIC (HB)
CAPTURING MUSIC (HB)
CENTURY OF BACH AND MOZART (HB)
CHANT AND ITS ORIGINS (HB)
CONCRETE
EARLY MUSIC: A VERY SHORT INTRODUCTION (PB)
EMBELLISHING THE LITURGY (HB)
FIRST NIGHTS (PB)
FIRST NIGHTS AT THE OPERA (PB)
FRENCH MOTETS IN THE THIRTEENTH CENTURY (PB)
INSTRUMENTS AND THEIR MUSIC IN THE MIDDLE AGES (HB)
MUSIC IN MEDIEVAL EUROPE
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
ORAL AND WRITTEN TRANSMISSION IN CHANT (HB)
PLAINSONG IN THE AGE OF POLYPHONY (PB)
POETS AND SINGERS (HB)
ROLE OF THE SCROLL (HB)
THE BENEVENTAN CHANT (PB)
THE CAMBRIDGE HISTORY OF MEDIEVAL MUSIC 2 VOLUME HARDBACK SET
THE CENTURY OF BACH AND MOZART (PB)
THE EXULTET IN SOUTHERN ITALY (HB)
THE ORGAN IN WESTERN CULTURE, 750-1250 (PB)
THE PRACTICE OF MEDIEVAL MUSIC (HB)

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