COLLECTING AS MODERNIST PRACTICE by Jeremy Braddock ( 9781421409627 )

Item Details

Title:

COLLECTING AS MODERNIST PRACTICE

By:

Jeremy Braddock

Format:

Paperback

List price:

£25.00

Our price:

£22.50

Discount:

10% off

You save:

£2.50

ISBN 10:

1421409623

ISBN 13:

9781421409627

Availability:

Usually dispatched within 1-3 weeks.

Delivery rates

Stock:

Currently 0 available

Publisher:

JOHNS HOPKINS UNIVERSITY PRESS

Pub. date:

3 January, 2013

Series:

Hopkins Studies in Modernism

Pages:

336

Description:

Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States.

Synopsis:

In this highly original study, Jeremy Braddock focuses on collective forms of modernist expression-the art collection, the anthology, and the archive-and their importance in the development of institutional and artistic culture in the United States.Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreymborg, Amy Lowell, Ezra Pound, Katherine Dreier, and Carl Van Vechten. He reveals the way collections were devised as both models for modernism's future institutionalization and culturally productive objects and aesthetic forms in themselves. Rather than anchoring his study in the familiar figures of the individual poet, artist, and work, Braddock gives us an entirely new account of how modernism was made, one centered on the figure of the collector and the practice of collecting. Collecting as Modernist Practice demonstrates that modernism's cultural identity was secured not so much through the selection of a canon of significant works as by the development of new practices that shaped the social meaning of art. Braddock has us revisit the contested terrain of modernist culture prior to the dominance of institutions such as the Museum of Modern Art and the university curriculum so that we might consider modernisms that could have been. Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States.

Illustrations:

26 Illustrations, black and white

Publication:

Imprint:

Johns Hopkins University Press

Returns:

Returnable

Some other items by this author:

COLLECTING AS MODERNIST PRACTICE

COLLECTING AS MODERNIST PRACTICE (HB)

DIRECTED BY ALLEN SMITHEE (HB)

DIRECTED BY ALLEN SMITHEE (PB)