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Item Details
Title: DEPRESSION FOLK
GRASSROOTS MUSIC AND LEFT-WING POLITICS IN 1930S AMERICA
By: Ronald D. Cohen
Format: Paperback

List price: £30.50


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 1469628813
ISBN 13: 9781469628813
Publisher: THE UNIVERSITY OF NORTH CAROLINA PRESS
Pub. date: 12 September, 2016
Pages: 216
Description: While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labor and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the complex cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact during the 1930s and beyond. Covering myriad musical styles and performers, Cohen narrates a singular history that begins in nineteenth-century labor politics and popular music culture, following the rise of unions and Communism to the subsequent Red Scare and increasing power of the Conservative movement in American politics--with American folk and vernacular music centered throughout. Detailing the influence and achievements of such notable musicians as Pete Seeger, Big Bill Broonzy, and Woody Guthrie, Cohen explores the intersections of politics, economics, and race, using the roots of American folk music to explore one of the United States' most troubled times. Becoming entangled with the ascending American left wing, folk music became synonymous with protest and sharing the troubles of real people through song.
Synopsis: While music lovers and music historians alike understand that folkmusic played an increasingly pivotal role in American labor and politicsduring the economic and social tumult of the Great Depression, how did thisrelationship come to be? Ronald D. Cohen sheds new light on the complexcultural history of folk music in America, detailing the musicians, governmentagencies, and record companies that had a lasting impact during the1930s and beyond. Covering myriad musical styles and performers, Cohennarrates a singular history that begins in nineteenth-century labor politicsand popular music culture, following the rise of unions and Communismto the subsequent Red Scare and increasing power of the Conservativemovement in American politics-with American folk and vernacular musiccentered throughout. Detailing the influence and achievements of such notablemusicians as Pete Seeger, Big Bill Broonzy, and Woody Guthrie, Cohenexplores the intersections of politics, economics, and race, using the rootsof American folk music to explore one of the United States' most troubledtimes.Becoming entangled with the ascending American left wing, folkmusic became synonymous with protest and sharing the troubles of real peoplethrough song.
Publication: US
Imprint: The University of North Carolina Press
Returns: Returnable
Some other items by this author:
'WASN'T THAT A TIME!' (PB)
A HISTORY OF FOLK MUSIC FESTIVALS IN THE UNITED STATES (PB)
ALAN LOMAX, ASSISTANT IN CHARGE
ALAN LOMAX, ASSISTANT IN CHARGE (HB)
ALAN LOMAX, ASSISTANT IN CHARGE (PB)
AMERICAN POPULAR MUSIC (PB)
CHICAGO FOLK
CHICAGO FOLK (PB)
CHILDREN OF THE MILL
CHILDREN OF THE MILL
CHILDREN OF THE MILL
CHILDREN OF THE MILL
CHILDREN OF THE MILL
CHILDREN OF THE MILL (HB)
CHILDREN OF THE MILL (PB)
DEPRESSION FOLK (HB)
FOLK (HB)
FOLK CITY (HB)
FOLK MUSIC: THE BASICS (HB)
FOLK MUSIC: THE BASICS (PB)
MOONLIGHT IN DUNELAND
RAINBOW QUEST (HB)
RAINBOW QUEST (PB)
RED DUST AND BROADSIDES (HB)
RED DUST AND BROADSIDES (PB)
ROOTS OF THE REVIVAL (HB)
ROOTS OF THE REVIVAL (PB)
SELLING FOLK MUSIC
SELLING FOLK MUSIC (HB)
SING MY WHOLE LIFE LONG (PB)
SINGING FOR PEACE
SINGING FOR PEACE
SINGING FOR PEACE
SINGING FOR PEACE (HB)
SINGING FOR PEACE (PB)
THE PETE SEEGER READER (HB)
WASN'T THAT A TIME! (HB)
WOODY GUTHRIE
WOODY GUTHRIE
WOODY GUTHRIE
WOODY GUTHRIE (HB)
WOODY GUTHRIE (PB)
WORK AND SING (PB)

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