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Item Details
Title: MOVEMENT AS MEANING IN EXPERIMENTAL CINEMA
THE MUSICAL POETRY OF MOTION PICTURES REVISITED
By: Daniel Barnett
Format: Hardback

List price: £130.00
Our price: £126.10
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ISBN 10: 1501329847
ISBN 13: 9781501329845
Availability: Usually dispatched within 1-3 weeks.
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Publisher: BLOOMSBURY PUBLISHING PLC
Pub. date: 10 August, 2017
Pages: 344
Synopsis: Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valery's concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness.Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.
Illustrations: 30 bw illus
Publication: US
Imprint: Bloomsbury Academic USA
Returns: Non-returnable
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