| Synopsis: |
Julio Ortega, "An Interview with Juan Goytisolo"/ Juan Goytisolo, "A Cervantine Reading of Three Trapped Tigers"/Juan Goytisolo, "Literature Pursued by Politics"/Juan Goytisolo, "Language, Ideal Beauty, and Effective Reality"/Juan Goytisolo, "Vicissitudes of Mudejarism: Juan Ruiz, Cervantes, Galdos"/Luigi Luccarelli, "Goytisolo's The Fields of Nijar and La Chanca"/Juan Goytisolo, "Selection from La Chanca"/Carlos Fuentes, "Juan Goytisolo or the Novel as Exile"/Gonzalo Diaz-Migoyo, "Juan Goytisolo's Novel Trilogy: A Reader's Personal Memory"/Bernardo A. Gonzalez, "Mimesis and Narrative Discourse: Juan Goytisolo's Search for Immediacy"/Kessel Schwartz, "The Literary Criticism of Juan Goytisolo"/Genaro J.Perez, "Fugal Form in Fin de Fiesta (The Party's Over)"/Severo Sarduy, "Deterritorialization"/Juan Goytisolo, "From Count Julian to Makbara: A Possible Orientalist Reading"/Maryellen Bieder, "La Carcel Verbal: Narrative Discourse in Makbara"/Julian Rios, "The Apocalypse According to Juan Goytisolo"/Luce Lopez-Baralt, "Makbara: Juan Goytisolo's Fictionalized Version of 'Orientalism'"/Aline Schulman, "Marks of Identity: Identity and Discourse"/Annie Perrin, "Makbara: The Space of Phantasm"/Reginald Martin, "An Interview with Ishmael Reed"/Franco La Polla, "The Free-Lance Pallbearers, Or: No More Proscenium Arch"/Jerry H. Bryant, "Old Gods and New Demons--Ishmael Reed and His Fiction"/W. C. Bamberger, "The Waxing and Waning of Cab Calloway"/Joe Weixlmann, "Ishmael Reed's Raven"/Peter Nazareth, "Heading Them Off at the Pass: The Fiction of Ishmael Reed"/James R. Lindroth, "From Krazy Kat to Hoodoo: Aesthetic Discourse in the Fiction of Ishmael Reed"/Geoffrey Green, "Reality as Art: The Last Days of Louisiana Red"/Jack Byrne, "White Men with Three Names (Or) If Sam Has Kidnapped Checkers, Then Who is in the John?--Reed's Journey from Scat to Scatology" |