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Item Details
| Title:
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EX-CENTRIC CINEMA
GIORGIO AGAMBEN AND FILM ARCHAEOLOGY |
| By: |
Janet Harbord |
| Format: |
Paperback |
| List price:
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£28.99 |
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We currently do not stock this item, please contact the publisher directly for
further information.
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| ISBN 10: |
1628922419 |
| ISBN 13: |
9781628922417 |
| Publisher: |
BLOOMSBURY PUBLISHING PLC |
| Pub. date: |
20 October, 2016 |
| Series: |
Thinking Cinema |
| Pages: |
272 |
| Synopsis: |
In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links.Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema. |
| Illustrations: |
10 bw illus |
| Publication: |
US |
| Imprint: |
Bloomsbury Academic USA |
| Returns: |
Non-returnable |
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