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Item Details
Title: TORQUES
DRAFTS 58-76
By: Rachel Blau DuPlessis
Format: Paperback

List price: £10.99
Our price: £9.89
Discount:
10% off
You save: £1.10
ISBN 10: 1844713342
ISBN 13: 9781844713349
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: SALT PUBLISHING
Pub. date: 4 September, 2007
Pages: 156
Description: Twisted, knotted, struck by events and emotions at our historical moment, these Drafts register and produce torques - exaltation and tension, torsion and force, in their symphonic and bantering surges. This book continues the long poem project that Ron Silliman calls "one of the major poetic achievements of our time."
Synopsis: Twisted, knotted, struck by events and emotions at our historical moment, these Drafts register and produce torques - exaltation and tension, torsion and force, in their symphonic and bantering surges. In this book, DuPlessis transposes Wordsworth, Mallarme, Pound and Rilke; she writes doggerel, a lexicon, dialogues, a mini-manifesto, and lyrics from a spirit voice. This book continues the ambitious long poem project that Ron Silliman has called "one of the major poetic achievements of our time." Drafts, begun in 1986, manifests thematic and emotional investments centering on loss, struggle, and hope, on the unsayable and "anguage" - the language of anguish. Two main formal and structural principles center this work, repetition and the fold. The works repeat themes and images throughout, a recontextualization of materials, a building of traces, and a repetitive repositioning of images and narrative that also suggests both the waywardness of experience and a pensive responsiveness to what happens. The works are organized on a periodicity of nineteen, what DuPlessis calls "the fold."Each new draft corresponds in some sensuous, formal, intellectual, allusive way to specific "donor" drafts. This tactic creates a widely spaced recurrence among the poems, and a chained or meshed linkage whose regularity is both predictable and suggestive, textured with malleable and porous internal relationships. The key genre animating Drafts is a strategy from Hebrew interpretive practices called midrash. Midrash is a continuous and generations-long commentary on sacred texts. Drafts as a whole project alludes to - but secularizes - this genre of serious commentary, spiritual investment, and continuous gloss.
Illustrations: black & white illustrations
Publication: UK
Imprint: Salt Publishing
Returns: Non-returnable
Some other items by this author:
BLUE STUDIOS (HB)
BLUE STUDIOS (PB)
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DRAFTS (PB)
DRAFTS 1-38, TOLL
DRAFTS 1-38, TOLL (HB)
DRAFTS 1-38, TOLL (PB)
GENDERS, RACES, AND RELIGIOUS CULTURES IN MODERN AMERICAN POETRY, 1908-1934
GENDERS, RACES, AND RELIGIOUS CULTURES IN MODERN AMERICAN POETRY, 1908-1934 (HB)
GENDERS, RACES, AND RELIGIOUS CULTURES IN MODERN AMERICAN POETRY, 1908-1934 (PB)
H. D. (HB)
H.D.: THE CAREER OF THAT STRUGGLE (PB)
PITCH: DRAFTS 77-95 (PB)
PURPLE PASSAGES (PB)
SIGNETS (PB)
SURGE (PB)
THE COLLAGE POEMS OF DRAFTS (PB)
THE FEMINIST MEMOIR PROJECT (PB)
THE GRAND PERMISSION (PB)
THE OBJECTIVIST NEXUS (HB)
THE OBJECTIVIST NEXUS (PB)
THE OPPENS REMEMBERED (HB)
THE PINK GUITAR (PB)
THE SELECTED LETTERS OF GEORGE OPPEN (HB)
THE SELECTED LETTERS OF GEORGE OPPEN (PB)
TORQUES
WRITING BEYOND THE ENDING (HB)
WRITING BEYOND THE ENDING (PB)

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