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Item Details
Title: CINEMATIC FICTIONS
THE IMPACT OF THE CINEMA ON THE AMERICAN NOVEL UP TO WORLD WAR II
By: David Seed
Format: Paperback

List price: £16.99


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ISBN 10: 1846318122
ISBN 13: 9781846318122
Publisher: LIVERPOOL UNIVERSITY PRESS
Pub. date: 12 March, 2012
Pages: 288
Description: Covering the period from the 1910s up to the Second World War, this title offers new insights into classics like "The Great Gatsby" and "The Grapes of Wrath" discussing major writers' critical writings on film and active participation in film-making.
Synopsis: The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, "Cinematic Fictions" offers new insights into classics like "The Great Gatsby" and "The Grapes of Wrath" discussing major writers' critical writings on film and active participation in film-making. "Cinematic Fictions" is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends.Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.
Publication: UK
Imprint: Liverpool University Press
Returns: Returnable
Some other items by this author:
A COMPANION TO SCIENCE FICTION
A COMPANION TO SCIENCE FICTION
A COMPANION TO SCIENCE FICTION
A COMPANION TO SCIENCE FICTION (HB)
A COMPANION TO SCIENCE FICTION (PB)
A COMPANION TO TWENTIETH-CENTURY UNITED STATES FICTION
A COMPANION TO TWENTIETH-CENTURY UNITED STATES FICTION
A COMPANION TO TWENTIETH-CENTURY UNITED STATES FICTION
A COMPANION TO TWENTIETH-CENTURY UNITED STATES FICTION
A COMPANION TO TWENTIETH-CENTURY UNITED STATES FICTION (HB)
AMERICAN SCIENCE FICTION AND THE COLD WAR
AMERICAN SCIENCE FICTION AND THE COLD WAR
AMERICAN SCIENCE FICTION AND THE COLD WAR
AMERICAN SCIENCE FICTION AND THE COLD WAR (HB)
AMERICAN SCIENCE FICTION AND THE COLD WAR (PB)
AMERICAN TRAVEL AND EMPIRE (HB)
AMERICAN TRAVELLERS IN LIVERPOOL (PB)
ANTICIPATIONS (PB)
BRAINWASHING (HB)
CINEMATIC FICTIONS (HB)
FUTURE WARS (HB)
IMAGINING APOCALYPSE (HB)
IMAGINING APOCALYPSE (HB)
IMAGINING APOCALYPSE (PB)
JOHN WYNDHAM
JOHN WYNDHAM (HB)
LIFE AND LIMB
LIFE AND LIMB (PB)
LITERATURE AND THE VISUAL MEDIA (HB)
RAY BRADBURY (HB)
RAY BRADBURY (PB)
RUDOLPH WURLITZER, AMERICAN NOVELIST AND SCREENWRITER (PB)
SCIENCE FICTION: A VERY SHORT INTRODUCTION (PB)
SPEAKING SCIENCE FICTION
SPEAKING SCIENCE FICTION (HB)
SPEAKING SCIENCE FICTION (PB)
THE COMING RACE (HB)
THE COMING RACE (PB)
THE FICTION OF JOSEPH HELLER: AGAINST THE GRAIN (PB)
THE HANDLING OF WORDS AND OTHER STUDIES IN LITERARY PSYCHOLOGY (HB)
THE INHERITORS (HB)
UNDER THE SHADOW (HB)
US NARRATIVES OF NUCLEAR TERRORISM SINCE 9/11 (HB)

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