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Item Details
Title: ANIMATION AND AMERICAN SOCIETY
CARTOONS TO COMPUTERS
By: Paul Wells
Format: Paperback

List price: £31.00
Our price: £25.58
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17.5% off
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ISBN 10: 1853312037
ISBN 13: 9781853312038
Availability: Usually dispatched within 1-3 weeks.
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Publisher: EDINBURGH UNIVERSITY PRESS
Pub. date: 27 March, 2002
Series: British Association for American Studies (BAAS) Paperbacks
Pages: 172
Description: Paul Wells looks at animation in the United States afresh, discussing the distinctiveness of the cartoon form, and the myriad others types of animation production, insisting upon the 'modernity' of the form, and its crucial importance as a barometer of the social conditions in which it was made, and which it reflects.
Synopsis: The 'cartoon' is synonymous with the United States - the all conquering Disney studio, the anarchic antics of Bugs Bunny and Daffy Duck, the satiric vision of The Simpsons - but rarely is this taken seriously as an important aspect of artistic and cultural achievement, nor as a vision of America itself. In Animation and America, Professor Paul Wells looks at animation in the United States afresh, discussing the distinctiveness of the cartoon form, and the myriad others types of animation production, insisting upon the 'modernity' of the form, and its crucial importance as a barometer of the social conditions in which it was made, and which it reflects. The book does not work as an orthodox history of animation in America, but rather uses animation as a way of discussing personal, social and political change, concentrating on the ways in which the form continues to grow, experiment, and remain subversive while gaining increasing popular acclaim and recognition.Now in the vanguard of visual culture per se, animation occupies an important position in representing both the outcomes and impacts of new technologies - as it has always done - but also has laid the foundations for a new understanding of social and artistic practice.
Publication: UK
Imprint: Keele University Press
Returns: Non-returnable
Some other items by this author:
AMERICAN FILM AND POLITICS FROM REAGAN TO BUSH JR (PB)
ANIMATION (PB)
ANIMATION AND AMERICA (PB)
ANIMATION, SPORT AND CULTURE
ANIMATION, SPORT AND CULTURE (HB)
BASICS ANIMATION 01: SCRIPTWRITING (PB)
BASICS ANIMATION 03: DRAWING FOR ANIMATION (PB)
CROSS WORDS (PB)
DOVER PAST & PRESENT (PB)
DOVER THEN & NOW (HB)
DUSK TO DAWN
GLIMPSES OF BOGNOR REGIS PIER, 1885-1990 (PB)
GROWING IN CHRIST
HALAS AND BATCHELOR: AN ANIMATED HISTORY (PB)
JAMES BARR AND THE BIBLE
MEASURING THE BIG SOCIETY (PB)
NEW JEWELLERY TECHNIQUES: CURVED SCORING AND FOLDING FOR METALWORK AND SILVERSMITHING (HB)
POST-KEYNESIAN ECONOMIC THEORY (HB)
POST-KEYNESIAN ECONOMIC THEORY (PB)
RE-IMAGINING ANIMATION (PB)
SCREENWRITING FOR ANIMATION
TAKING THE BIBLE AT ITS WORD (PB)
THE ANIMATED BESTIARY (HB)
THE ANIMATED BESTIARY (PB)
THE FAMILY WAY (HB)
THE FAMILY WAY (PB)
THE FUNDAMENTALS OF ANIMATION
THE FUNDAMENTALS OF ANIMATION (PB)
THE HORROR GENRE - CLASSROOM RESOURCES (PB)
THE LADDER SHORT POEMS (CLASSIC REPRINT)
THE LADDER; SHORT POEMS
THE LADDER; SHORT POEMS
THE LADDER; SHORT POEMS (HB)
THE LADDER; SHORT POEMS (HB)
THE UNIVERSITY OF OXFORD COLLEGE HISTORIES (HB)
UNDERSTANDING ANIMATION
UNDERSTANDING ANIMATION
UNDERSTANDING ANIMATION
UNDERSTANDING ANIMATION (HB)
UNDERSTANDING ANIMATION (HB)
UNDERSTANDING ANIMATION (PB)
UNDERSTANDING ANIMATION (PB)

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