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Item Details
| Title:
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REVISIONS
ZEN FOR FILM |
| By: |
Hanna B. Holling |
| Format: |
Paperback |
| List price:
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£19.00 |
| Our price: |
£17.10 |
| Discount: |
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| You save:
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£1.90 |
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| ISBN 10: |
1941792049 |
| ISBN 13: |
9781941792049 |
| Availability: |
Usually dispatched within 1-3 weeks.
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| Stock: |
Currently 0 available |
| Publisher: |
BARD GRADUATE CENTER, EXHIBITIONS DEPARTMENT |
| Pub. date: |
15 September, 2015 |
| Pages: |
220 |
| Description: |
How do works of art endure over time despite their material and conceptual alteration? How do decay, technological obsolescence and remediation affect what the artwork is and what it may become? How might the observation of change in artworks teach us something about their nature and behavior? How do changeable artworks induce a rethinking of those museological paradigms that assume fixity and stasis? The intellectual aim of this project is to come up with answers to these questions. "Revisions Zen for Film" which is accompanied by an exhibition at the Bard Graduate Center on display from September 18, 2015 January 10, 2016 focuses on "Zen for Film" (also known as Fluxfilm no.1), one of the most evocative film works created by the Korean-American artist, Nam June Paik in 1962-64. Rather than being a compilation of objects presented for inspection in support of a curatorial argument, this project zooms into the microcosm of a singular artwork in order to unfold some of the inspirations, transitions, remediations, and residues that have occurred in the course of that artwork s existence. It also seeks to examine how the firsthand awareness of materiality enhances visual knowledge. "Revisions Zen for Film" strives to revise standard notions about an artwork that has undergone a rich history of display. The project reveals what often remains undisclosed an artwork that is a complex sum of its transitions rather than a product of the visual analysis and interpretation of that thing as a static entity. The project undermines any assumption that the artwork is unchanging, and hence subject to a single interpretation. "Zen for Film Revisions" aims to explore the significance of the artwork in its constant transitions, proposing a new art historical narrative. By putting "Zen for Film" on display and inviting an interdisciplinary dialogue, it asks precisely what and when the artwork might be." |
| Synopsis: |
How do works of art endure over time in the face of aging materials and changing interpretations of their meaning? How do decay, technological obsolescence, and the blending of old and new media affect what an artwork is and can become? And how can changeable artworks encourage us to rethink our assumptions of art as fixed and static? Revisions is a unique exploration of all of these questions. In this catalog, which accompanies an exhibition at the Bard Graduate Center, Hanna B. Holling examines Zen for Film, also known as Fluxfilm no. 1, one of the most evocative works by Korean-American artist Nam June Paik. Created during the early 1960s, this piece consists of a several-minutes-long screening of blank film; as the film ages and wears in the projector, the viewer is confronted with a constantly evolving work. Because of this mutability, the project, as HA lling shows, undermines any assumption that art can be subject to a single interpretation. By focusing on a single artwork and unfolding the inspirations, transitions, and residues that have occurred in the course of that work's existence, Revisions offers an in-depth look at how materiality enhances visual knowledge.A fresh perspective on a piece with a rich history of display, this catalog invites interdisciplinary dialogue and asks precisely what-and when-an artwork might be. |
| Publication: |
US |
| Imprint: |
Bard Graduate Center, Exhibitions Department |
| Returns: |
Returnable |
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