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Item Details
Title: IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE
By: Anthony J. Cascardi
Format: Paperback

List price: £34.95
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ISBN 10: 0271025697
ISBN 13: 9780271025698
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Publisher: PENNSYLVANIA STATE UNIVERSITY PRESS
Pub. date: 21 May, 2004
Series: Studies in Romance Literatures
Pages: 336
Synopsis: "This book is significant because it presents a complex and interesting investigation of desire and subject-formation as they manifest themselves in Spanish Golden Age literary production, and an account of Spain's particular intellectual trajectory as it entered the modern age."-Dian Fox, Brandeis University Spain in the sixteenth and seventeenth centuries was in the throes of modernization arising from trade with the New World and the rise of an urban society. During this period, Spanish culture came to be dominated by the tension between an old regime of traditional values-honor, lineage, purity of blood-and these modernizing influences. Anthony J. Cascardi examines the literature of the Golden Age as the point at which tensions between the old and the new converged and proposes that this historical drama provided the context for subject-formation in early modern Spain. He examines how Spanish writers envisioned history and studies how these visions revealed or concealed contradictions between social values of their time, particularly between the value systems of caste and class.Ideologies of History in the Spanish Golden Age draws on recent theoretical paradigms in contemporary philosophy, psychoanalysis, political and social theory, and literary history to place Spain's major literary figures in challenging new contexts.By accounting for both modernizing desires and resistances to modernization, Cascardi provides readers interested in theories of ideology and history with a new way of looking at the literature of the Spanish Golden Age.
Publication: US
Imprint: Pennsylvania State University Press
Returns: Returnable
Some other items by this author:
ART AND AESTHETICS AFTER ADORNO (PB)
ART AND AESTHETICS AFTER ADORNO (PB)
CERVANTES, LITERATURE AND THE DISCOURSE OF POLITICS (HB)
CERVANTES, LITERATURE AND THE DISCOURSE OF POLITICS (PB)
CONSEQUENCES OF ENLIGHTENMENT
CONSEQUENCES OF ENLIGHTENMENT (HB)
CONSEQUENCES OF ENLIGHTENMENT (PB)
DERRIDA AND AUTOBIOGRAPHY (PB)
FRANCISCO DE GOYA AND THE ART OF CRITIQUE (HB)
IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE (HB)
IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE (PB)
INTRODUCTION TO LITERARY HERMENEUTICS (HB)
INTRODUCTION TO LITERARY HERMENEUTICS (PB)
LITERATURE AND THE QUESTION OF PHILOSOPHY (PB)
MIKHAIL BAKHTIN (PB)
NIETZSCHE'S NEGATIVE ECOLOGIES (PB)
NIETZSCHE'S NEGATIVE ECOLOGIES (PB)
NOVELS BEHIND GLASS (HB)
PARATEXTS (HB)
PARATEXTS (PB)
PARODY (PB)
POIESIS AND MODERNITY IN THE OLD AND NEW WORLDS (HB)
POIESIS AND MODERNITY IN THE OLD AND NEW WORLDS (PB)
POSSIBLE WORLDS IN LITERARY THEORY (HB)
POSSIBLE WORLDS IN LITERARY THEORY (PB)
RHETORIC AND CULTURE IN LACAN (PB)
RHETORIC, SOPHISTRY, PRAGMATISM (PB)
SUBJECT OF MODERNITY (HB)
THE BOUNDS OF REASON (HB)
THE CAMBRIDGE COMPANION TO CERVANTES (HB)
THE CAMBRIDGE COMPANION TO CERVANTES (PB)
THE CAMBRIDGE INTRODUCTION TO LITERATURE AND PHILOSOPHY (HB)
THE CAMBRIDGE INTRODUCTION TO LITERATURE AND PHILOSOPHY (PB)
THE LIMITS OF ILLUSION (HB)
THE LIMITS OF ILLUSION: A CRITICAL STUDY OF CALDERON
THE LIMITS OF ILLUSION: A CRITICAL STUDY OF CALDERON (PB)
THE SUBJECT OF MODERNITY
THE SUBJECT OF MODERNITY (PB)
THEORIES OF MIMESIS (PB)
THEORIZING THE AVANT-GARDE (HB)
THEORIZING THE AVANT-GARDE (PB)
WORDSWORTH, DIALOGICS AND THE PRACTICE OF CRITICISM (HB)

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