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Item Details
| Title:
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CURATING AT THE EDGE
ARTISTS RESPOND TO THE U.S./MEXICO BORDER |
| By: |
Kate Bonansinga, Lucy R. Lippard (Foreword) |
| Format: |
Hardback |
| List price:
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£38.00 |
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We believe that this item is permanently unavailable, and so we cannot source
it.
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| ISBN 10: |
0292752970 |
| ISBN 13: |
9780292752979 |
| Publisher: |
UNIVERSITY OF TEXAS PRESS |
| Pub. date: |
29 November, 2013 |
| Series: |
The William and Bettye Nowlin Series in Art, History, and Culture of the |
| Pages: |
296 |
| Description: |
Located less than a mile from Juarez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. This book describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. |
| Synopsis: |
Located less than a mile from Juarez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin's founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of "border art" or Chicano art. Instead, Bonansinga captures the creative climate of 2004-2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics. The Rubin's location in the Chihuahuan desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting midcareer artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos Ramirez ERRE, and many others.Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists' working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences. |
| Illustrations: |
115 b&w and 30 colour photographs |
| Publication: |
US |
| Imprint: |
University of Texas Press |
| Returns: |
Non-returnable |
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