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Item Details
Title: CAPTURING MUSIC
THE STORY OF NOTATION
By: Professor Thomas Forrest Kelly
Format: Hardback

List price: £35.99
Our price: £30.59
Discount:
15% off
You save: £5.40
ISBN 10: 0393064964
ISBN 13: 9780393064964
Availability: Usually dispatched within 3-5 days.
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Stock: Currently 2 available
Publisher: WW NORTON & CO
Pub. date: 3 November, 2014
Pages: 256
Description: An entertaining history of how musicians learned to record music for all time, filled with art that sings.
Synopsis: In today's digital landscape, we have the luxury of experiencing music anytime, anywhere. But before this instant accessibility and dizzying array of formats-before CDs, the eight-track tape, the radio, and the turntable-there was only one recording technology: music notation. It allowed singers and soloists to travel across great distances and perform their work with stunning fidelity, a feat that we now very much take for granted. Thomas Forrest Kelly transports us to the lively and complex world of monks and monasteries, of a dove singing holy chants into the ear of a saint, and of bustling activity in the Cathedral of Notre Dame-an era when the only way to share even the simplest song was to learn it by rote, church to church and person to person. With clarity and a sense of wonder, Kelly tells a story that spans five hundred years, leading us on a journey through medieval Europe and showing how we learned to keep track of rhythm, melody, and precise pitch with a degree of accuracy previously unimagined. Kelly reveals the technological advances that led us to the system of notation we use today, placing each step of its evolution in its cultural and intellectual context. Companion recordings by the renowned Blue Heron ensemble are paired with vibrant illuminated manuscripts, bringing the art to life and allowing readers to experience something of the marvel that medieval writers must have felt when they figured out how to capture music for all time.
Illustrations: 100 color illustrations and audio CD
Publication: US
Imprint: WW Norton & Co
Returns: Returnable
Some other items by this author:
AMBROSIANA AT HARVARD (PB)
ARS ANTIQUA (HB)
ARS NOVA (HB)
BENEVENTAN CHANT (HB)
CAMBRIDGE HISTORY OF MEDIEVAL MUSIC (HB)
CENTURY OF BACH AND MOZART (HB)
CHANT AND ITS ORIGINS (HB)
CONCRETE
EARLY MUSIC: A VERY SHORT INTRODUCTION (PB)
EMBELLISHING THE LITURGY (HB)
FIRST NIGHTS (PB)
FIRST NIGHTS AT THE OPERA (PB)
FRENCH MOTETS IN THE THIRTEENTH CENTURY (PB)
INSTRUMENTS AND THEIR MUSIC IN THE MIDDLE AGES (HB)
MUSIC IN MEDIEVAL EUROPE
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
ORAL AND WRITTEN TRANSMISSION IN CHANT (HB)
PLAINSONG IN THE AGE OF POLYPHONY (PB)
POETS AND SINGERS (HB)
ROLE OF THE SCROLL (HB)
THE BENEVENTAN CHANT (PB)
THE CAMBRIDGE HISTORY OF MEDIEVAL MUSIC 2 VOLUME HARDBACK SET
THE CENTURY OF BACH AND MOZART (PB)
THE EXULTET IN SOUTHERN ITALY (HB)
THE ORGAN IN WESTERN CULTURE, 750-1250 (PB)
THE PRACTICE OF MEDIEVAL MUSIC (HB)
THE SOURCES OF BENEVENTAN CHANT (HB)

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