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Item Details
Title: THE SUBJECT OF MODERNITY
By: Anthony J. Cascardi, Anthony J. Cascardi, Richard A. Macksey
Format: Paperback

List price: £30.99
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ISBN 10: 0521423783
ISBN 13: 9780521423786
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Publisher: CAMBRIDGE UNIVERSITY PRESS
Pub. date: 19 March, 1992
Series: Literature, Culture, Theory No.3
Pages: 328
Description: Offering an historical account of the origins and transformations of the rational subject or self as it is represented in Descartes, Cervantes, Pascal, Hobbes and the Don Juan myth, the author ranges across the fields of epistemology, literature, political science, religion and psychology.
Synopsis: The question of modernity has provoked a vigorous debate in the work of thinkers from Hegel to Habermas. Our own self-styled postmodern age has seen no end to this debate, which now receives a major and wide-ranging intervention from the theorist and critic Anthony J. Cascardi. Offering an historical account of the origins and transformations of the rational subject or self as it is represented in Descartes, Cervantes, Pascal, Hobbes and the Don Juan myth, he carries his argument across the fields of epistemology, literature, political science, religion and psychology. The modern subject proves to be positioned within conflicting discourses, in a culture characterised by its 'detotalised totality'. Max Weber's concept of 'world disenchantment' enables Cascardi to make a searching critique of modernity's sense of its absoluteness, divorced from an archaic, 'enchanted' world. He advocates in its place a more fruitful relationship between historical analysis and theoretical speculation, offering constructive new alternatives to current orthodoxy regarding subjectivity and modernity.
Illustrations: notes
Publication: UK
Imprint: Cambridge University Press
Returns: Returnable
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ART AND AESTHETICS AFTER ADORNO (PB)
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CONSEQUENCES OF ENLIGHTENMENT
CONSEQUENCES OF ENLIGHTENMENT (HB)
CONSEQUENCES OF ENLIGHTENMENT (PB)
DERRIDA AND AUTOBIOGRAPHY (PB)
FRANCISCO DE GOYA AND THE ART OF CRITIQUE (HB)
IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE (HB)
IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE (PB)
IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE (PB)
INTRODUCTION TO LITERARY HERMENEUTICS (HB)
INTRODUCTION TO LITERARY HERMENEUTICS (PB)
LITERATURE AND THE QUESTION OF PHILOSOPHY (PB)
MIKHAIL BAKHTIN (PB)
NIETZSCHE'S NEGATIVE ECOLOGIES (PB)
NIETZSCHE'S NEGATIVE ECOLOGIES (PB)
NOVELS BEHIND GLASS (HB)
PARATEXTS
PARATEXTS (HB)
PARATEXTS (PB)
PARODY (PB)
POIESIS AND MODERNITY IN THE OLD AND NEW WORLDS (HB)
POIESIS AND MODERNITY IN THE OLD AND NEW WORLDS (PB)
POSSIBLE WORLDS IN LITERARY THEORY (HB)
POSSIBLE WORLDS IN LITERARY THEORY (PB)
RHETORIC AND CULTURE IN LACAN (PB)
RHETORIC, SOPHISTRY, PRAGMATISM (PB)
SUBJECT OF MODERNITY (HB)
THE BOUNDS OF REASON (HB)
THE CAMBRIDGE COMPANION TO CERVANTES (HB)
THE CAMBRIDGE COMPANION TO CERVANTES (PB)
THE CAMBRIDGE INTRODUCTION TO LITERATURE AND PHILOSOPHY (HB)
THE CAMBRIDGE INTRODUCTION TO LITERATURE AND PHILOSOPHY (PB)
THE LIMITS OF ILLUSION (HB)
THE LIMITS OF ILLUSION: A CRITICAL STUDY OF CALDERON
THE LIMITS OF ILLUSION: A CRITICAL STUDY OF CALDERON (PB)
THE STRUCTURALIST CONTROVERSY (PB)
THE SUBJECT OF MODERNITY
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THEORIZING THE AVANT-GARDE (HB)
THEORIZING THE AVANT-GARDE (PB)
WORDSWORTH, DIALOGICS AND THE PRACTICE OF CRITICISM (HB)

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